The retirement movie for adult film actress Ai Uehara, directed by Katsuyuki Hirano. A big fan of Ai Uehara have to go on a 100-kilometer marathon to have sex with her.
Director
The retirement movie for adult film actress Ai Uehara, directed by Katsuyuki Hirano. A big fan of Ai Uehara have to go on a 100-kilometer marathon to have sex with her.
Himself
In 1997, Hirano Katsuyuki, a married, middle-aged AV director, and his 26-year-old actress and lover, Hayashi Yumika, set out to cycle from Tokyo to Hokkaido. Two video versions of their trip already exist, the intimate documentary Yumika and its gonzo porno alter ego 41-Day Adultery Bicycle Tour. Hirano’s Kantoku Shikkaku reframes this ambiguous relationship in light of Yumika’s death in 2005.
Cinematography
In 1997, Hirano Katsuyuki, a married, middle-aged AV director, and his 26-year-old actress and lover, Hayashi Yumika, set out to cycle from Tokyo to Hokkaido. Two video versions of their trip already exist, the intimate documentary Yumika and its gonzo porno alter ego 41-Day Adultery Bicycle Tour. Hirano’s Kantoku Shikkaku reframes this ambiguous relationship in light of Yumika’s death in 2005.
Director
In 1997, Hirano Katsuyuki, a married, middle-aged AV director, and his 26-year-old actress and lover, Hayashi Yumika, set out to cycle from Tokyo to Hokkaido. Two video versions of their trip already exist, the intimate documentary Yumika and its gonzo porno alter ego 41-Day Adultery Bicycle Tour. Hirano’s Kantoku Shikkaku reframes this ambiguous relationship in light of Yumika’s death in 2005.
Himself
Don't get it twisted: Yumika Hayashi is way more than just a porn star. She's a Rorschach test, film theory with curves, her screen image throwing off endless refractions within the hearts of those who knew her, loved her, or just got off to her. The "iron woman" of Japanese erotic film, best known for critically-acclaimed pink eiga LUNCHBOX, Hayashi died in 2005 at age 35, but in ANNYONG YUMIKA, the new documentary by Tetsuaki Matsue (LIVE TAPE), Yumika's legend is reborn, her passion made immortal. (Description by Subway Cinema)
Director
Porsuing human desires to Hokkaido in the middle of winter... Aofuki-chan, Kikurin and Katsuyuki Hirano in extreme snowstorm, open-air bath and cold. "Hot stuff that melts the ice." The purpose is to shoot sex everywhere, but eventually the actor Kikurin and the actress fall in love.
Porsuing human desires to Hokkaido in the middle of winter... Aofuki-chan, Kikurin and Katsuyuki Hirano in extreme snowstorm, open-air bath and cold. "Hot stuff that melts the ice." The purpose is to shoot sex everywhere, but eventually the actor Kikurin and the actress fall in love.
Director of Photography
Ryo and Natsu love each other immensely. They are also able to feel each other's pain. Their relationship is troubled when Ryo allows himself to be seduced by an office employee.
Director Katsuyuki Hirano travels north to find his girlfriend whom he met in Hokkaido a long time ago
Director
Director Katsuyuki Hirano travels north to find his girlfriend whom he met in Hokkaido a long time ago
Writer
December 1989, director Katsuyuki Hirano took on the journey of biking across Hokkaido under extreme weather. This is the documentary about that journey.
Cinematography
December 1989, director Katsuyuki Hirano took on the journey of biking across Hokkaido under extreme weather. This is the documentary about that journey.
Editor
December 1989, director Katsuyuki Hirano took on the journey of biking across Hokkaido under extreme weather. This is the documentary about that journey.
Himself
December 1989, director Katsuyuki Hirano took on the journey of biking across Hokkaido under extreme weather. This is the documentary about that journey.
Director
December 1989, director Katsuyuki Hirano took on the journey of biking across Hokkaido under extreme weather. This is the documentary about that journey.
Co-Producer
Hideaki Anno's documentary about the making of Shusuke Kaneko's Gamera 3: Revenge of Iris. From concept to film, the documentary is a video diary of the film's production. Not included in the Arrow Video collection.
Director
Short film "My beloved AV gal - Yumika Hayashi" included in the Yumika 1997 DVD by Katsuyuki Hirano. "My beloved AV gal" (愛しのAVギャル) is an omnibus project by three directors Akira Takatsuki (高槻彰), Company Matsuo (カンパニー松尾) and Katsuyuki Hirano (平野勝之) for which each director was to shoot their beloved AV gal. For this and as a continuation of "Yumika", two years after their bicycle trip, Katsuyuki Hirano and Yumika Hayashi went out on a bicycle trip again.
Short film "My beloved AV gal - Yumika Hayashi" included in the Yumika 1997 DVD by Katsuyuki Hirano. "My beloved AV gal" (愛しのAVギャル) is an omnibus project by three directors Akira Takatsuki (高槻彰), Company Matsuo (カンパニー松尾) and Katsuyuki Hirano (平野勝之) for which each director was to shoot their beloved AV gal. For this and as a continuation of "Yumika", two years after their bicycle trip, Katsuyuki Hirano and Yumika Hayashi went out on a bicycle trip again.
Cinematography
Nagaremono zukan is a documentary video, release from V&R Planning (AV). "Flower Picture Book" is the second work in the bicycle trilogy after Yumika. A very private sexual movie with Tomoko Matsunashi, right after Hirano broke up with Yumika. The violence of the camera is clearly increasing. If Yumika was the light, Nagaremono zukan is the shadow. There are two version of Nagaremono zukan, the censored one and the original hardcore one, with additional scenes, better quality and longer runtime.
Editor
Nagaremono zukan is a documentary video, release from V&R Planning (AV). "Flower Picture Book" is the second work in the bicycle trilogy after Yumika. A very private sexual movie with Tomoko Matsunashi, right after Hirano broke up with Yumika. The violence of the camera is clearly increasing. If Yumika was the light, Nagaremono zukan is the shadow. There are two version of Nagaremono zukan, the censored one and the original hardcore one, with additional scenes, better quality and longer runtime.
Director
Nagaremono zukan is a documentary video, release from V&R Planning (AV). "Flower Picture Book" is the second work in the bicycle trilogy after Yumika. A very private sexual movie with Tomoko Matsunashi, right after Hirano broke up with Yumika. The violence of the camera is clearly increasing. If Yumika was the light, Nagaremono zukan is the shadow. There are two version of Nagaremono zukan, the censored one and the original hardcore one, with additional scenes, better quality and longer runtime.
Director
Nagaremono zukan is a documentary video, release from V&R Planning (AV). "Flower Picture Book" is the second work in the bicycle trilogy after Yumika. A very private sexual movie with Tomoko Matsunashi, right after Hirano broke up with Yumika. The violence of the camera is clearly increasing. If Yumika was the light, Nagaremono zukan is the shadow. There are two version of Nagaremono zukan, the censored one and the original hardcore one, with additional scenes, better quality and longer runtime.
Director
The documentary of director Katsuyuki Hirano and adult film actress Yumika Hayashi's 41-day biking trip.
Cinematography
The documentary of director Katsuyuki Hirano and adult film actress Yumika Hayashi's 41-day biking trip.
Editor
The documentary of director Katsuyuki Hirano and adult film actress Yumika Hayashi's 41-day biking trip.
Writer
The documentary of director Katsuyuki Hirano and adult film actress Yumika Hayashi's 41-day biking trip.
Director
The documentary of director Katsuyuki Hirano and adult film actress Yumika Hayashi's 41-day biking trip.
Editor
"Sex in a typhoon", a depressed pianist AV actress Nana Honda and Katsuyuki Hirano.
Director
"Sex in a typhoon", a depressed pianist AV actress Nana Honda and Katsuyuki Hirano.
Director
"Sex in a typhoon", a depressed pianist AV actress Nana Honda and Katsuyuki Hirano.
Hirano plans to shoot "ordinary love AV" with actress Kasumi Fuji... This is Hirano's part/ACT of omnibus 21歳 みたされない隙間の時 by three directors.
Omnibus work of three directors - Baksheesh Yamashita, Company Matsuo and Katsuyuki Hirano (3 AV gals in 3 ACTS). A rich one-on-one confrontation between the director and the actress.
Director
Omnibus work of three directors - Baksheesh Yamashita, Company Matsuo and Katsuyuki Hirano (3 AV gals in 3 ACTS). A rich one-on-one confrontation between the director and the actress.
Director
Hirano plans to shoot "ordinary love AV" with actress Kasumi Fuji... This is Hirano's part/ACT of omnibus 21歳 みたされない隙間の時 by three directors.
Director
The summer of fireworks has arrived. The fireworks display in the sky is wonderful, but the fireworks display on the female body is also quite stylish. Katsuyuki Hirano the director of "Snakehead" AV that speedily depicts the violence that unfolds in a special wagon car. Starring Miho Komatsu, Noboru Iguchi and others.
Director
Produced at the same time as Mito Torture: Oedo Dragging. This is a drama, a violent drama depicting a love triangle over a cute woman at a convenience store. At the time, small, high-performance video cameras called Handycams were beginning to appear on the market, and I came up with a drama that used this voyeuristic, criminal perspective. The convenience store was borrowed from the real thing. We aimed for realism.
High School Man
Shiro and Keita didn’t manage to enter university and are stuck in their hometown delivering newspapers. Shiro persists on finishing a film they started, but Keita is not very enthusiastic.
Director
Katsuyuki Hirano's 8mm movie "Galaxy Bicycle Night". Unlike a feature film, it is a movie that uses one camera and one battery light, and I wander around the city or park at midnight. There is nothing like a drama, it is composed of the first part and the second part, and it is a simple movie that ends with the existence of an ex-girlfriend, I was dating back then. Katsuyuki Hirano released this film when he was 23 years old.
The film is divided into two chapters, "First Love" and "Endless Love", in which the author, Yoko Oguchi, chases after a different man, each saying "I love you! and chases after another man. In the second chapter, she screams in public, has sex with a man, shaves her hair and gets (really) yelled at by her parents. Beyond the fictionality and perfection of the drama, the author's daring and daredevil performance have a strong impact on the viewer.
Director
A man (Masahiro Sugiyama), an idol otaku, picks up a monster fish and starts to raise it at home. At the same time, he moves in with a runaway girl (Yoko Oguchi), and the friction between them becomes more intense.
The film was made at the end of the eighties, in response to the sense of stagnation in the provincial cities.
It's a film with a darker side than my previous film "Love on the Street".
It also has the strongest theatrical colour of all the films so far, but it shows the bankruptcy in a different way to "Street Corner of Love -".
A seemingly ordinary preparatory school student Kishida who seemed to have raped her with a girl who seems to be prostituting while seemingly sending an ordinary high school girl high life is tied up with some kind of strange relationship.
Writer
When Otomo Katsuhiro saw his manga Good Weather credited as the “original novel” he burst out laughing. There’s not an iota of his book anywhere in the film. Made in the same year as Sono Sion’s A Man’s Flower Road, Hirano Katsuyuki’s Happiness Avenue (where Sono plays a role) is madder and more abandoned, in both filmmaking and content. Lovelorn Masahiro goes on an odyssey to find fulfilment of his heart’s desire, and the sea he traverses are Tokyo’s open sewages.
Director
When Otomo Katsuhiro saw his manga Good Weather credited as the “original novel” he burst out laughing. There’s not an iota of his book anywhere in the film. Made in the same year as Sono Sion’s A Man’s Flower Road, Hirano Katsuyuki’s Happiness Avenue (where Sono plays a role) is madder and more abandoned, in both filmmaking and content. Lovelorn Masahiro goes on an odyssey to find fulfilment of his heart’s desire, and the sea he traverses are Tokyo’s open sewages.
Producer
The camera enters the "Sunayama Ginza" shopping district in Hamamatsu. The people in the area, the signboards for the "eradication of night butterflies," etc., are recorded in an unhurried manner. Suddenly, however, with the voice of the artist saying, "No more deception," the camera stands in the middle of a rainy intersection. As if to say, "This is my expression," we can feel the artist's fresh breath.
Director
The camera enters the "Sunayama Ginza" shopping district in Hamamatsu. The people in the area, the signboards for the "eradication of night butterflies," etc., are recorded in an unhurried manner. Suddenly, however, with the voice of the artist saying, "No more deception," the camera stands in the middle of a rainy intersection. As if to say, "This is my expression," we can feel the artist's fresh breath.
Director of Photography
The camera enters the "Sunayama Ginza" shopping district in Hamamatsu. The people in the area, the signboards for the "eradication of night butterflies," etc., are recorded in an unhurried manner. Suddenly, however, with the voice of the artist saying, "No more deception," the camera stands in the middle of a rainy intersection. As if to say, "This is my expression," we can feel the artist's fresh breath.
Director
A war breaks out between Racco and Kappa. Shouts, outbursts and bloodshed. The camera gets involved and the scene turns into a lawless zone.
Director
Director
Director
This film features "Shi-chan", a dog kept by the Hirano family.
Director
Producer
A camera races through the city, a camera licks its way around a room. Their gaze identifies with the artist's eyes, sits in his daily life, and looks around him. A high school girl, a grandmother in a liquor store, Pico the chicken. The author screams chases and beats up a man like a madman. This is a diary film in which we are forced to identify with the filmmaker through a hand-held camera that records the entire film.
Script
A camera races through the city, a camera licks its way around a room. Their gaze identifies with the artist's eyes, sits in his daily life, and looks around him. A high school girl, a grandmother in a liquor store, Pico the chicken. The author screams chases and beats up a man like a madman. This is a diary film in which we are forced to identify with the filmmaker through a hand-held camera that records the entire film.
Director of Photography
A camera races through the city, a camera licks its way around a room. Their gaze identifies with the artist's eyes, sits in his daily life, and looks around him. A high school girl, a grandmother in a liquor store, Pico the chicken. The author screams chases and beats up a man like a madman. This is a diary film in which we are forced to identify with the filmmaker through a hand-held camera that records the entire film.
Director
A camera races through the city, a camera licks its way around a room. Their gaze identifies with the artist's eyes, sits in his daily life, and looks around him. A high school girl, a grandmother in a liquor store, Pico the chicken. The author screams chases and beats up a man like a madman. This is a diary film in which we are forced to identify with the filmmaker through a hand-held camera that records the entire film.
Director
Director
A drama in which the main character Hashi, a motherf*cker, heads towards a shocking end. The green clothes Hashi wears were hand-drawn by Gyoshu.
Director
A boy in blue wanders along a riverside wearing a kettle, a raccoon piggy bank and an electric stand.
Director
The director himself narrates the story of a boy throwing a knife in an abandoned building.
Director
Director
The suspense about a man in pursuit and a man being pursued.
Director
Film by Katsuyuki Hirano
Ghosts, cicadas, masturbation, vandalism and pure love at the graveyard. If you make weird enough noises will the ghosts come out? Film by Katsuyuki Hirano, 1994.
Director
Ghosts, cicadas, masturbation, vandalism and pure love at the graveyard. If you make weird enough noises will the ghosts come out? Film by Katsuyuki Hirano, 1994.
Director
