Ma Siu-Ying

Accompanied by his old manservant, scholar Sung Li Ho (Hong Hoi) is on his way to the capital for the imperial exam. They spend a night in the house of Mrs. Yuan and Li Ho takes a fancy to her pretty daughter, Pei Fang (Dana). Li Ho is discovered by a maid peeping at Pei Fang as she takes a bath. He slips and falls into the bathtub, creating a most embarrassing situation. His old servant is also implicated and both are beaten up before being thrown out. Continuing their journey in the desolate countryside, they come across woodcutter Hsi Hsueh Kuei who puts them up for the night. Captivated by the beauty of the owner’s two daughters, who are vampires, he spends a night with them and turns into a skeleton. Chased by the vampires, Shun Lai makes a narrow escape.

Ghost Eyes concerns a female hair stylist who is seduced by the vampiric ghost of a former optometrist. Using supernatural contact lenses to control her mind, he gradually drains her life essence as she is forced to find new victims until tries to make a stand and rid herself of this terror once and for all.

A Time For Love features Shaw Brothers' darling Lily Ho in a Romeo and Juliet stylized love story that breaks the tradition of Hong Kong's "class distinction" love stories. It is a film ending with a Cinderella-esque love saving happiness happy ever other ending.

Mysterious songstress Fang Biyu is loved by two brothers, Qiwei and Qijun. After freeing herself from the clutches of gangsters, she gives her heart to Qiwei. Tragedy comes knocking on the door when one of the gangsters comes out of prison, and Qiwei dies in a car accident. Blamed for her husband's death, Biyu is forced to go back to singing to make a living, but hopes to reunite with her son and return to the family one day.

The sex appeal factor shoots skyhigh here with Ting playing Susan, a young woman hiding from her father by being a nightclub singer in Japan. Pop singer Chao Ke-jen (the handsome Lin Chong) gets permission from his boss to visit Japan – but only on condition he finds the boss’s daughter. Boy finds girl, boy falls in love. But will Daddy approve?

A gripping drama about a seductive woman with three men in her life: a rich husband ; a sexy playboy, and a sensitive intellectual. That two of her lovers are brothers further complicates the story.

A 1967 Cantonese language action film directed by Cheung Wai-Gwong, starring Connie Chan, Adam Cheng and Liu Chia-Liang. Ming-Wai & Ming-Sing, a brother and sister (dual roles played by Connie Chan) who must go undercover in a gang to rescue their uncle.

Director Wong Yiu, recognising the spending power of a new demographic, was looking to create a teenage sensation for the factory girls. It soon became a social phenomenon in the 1960s. Former child star Connie Chan Po-chu fitted the bill perfectly with her doe-eyed innocence framed by silky long hair. In Girls are Flowers, she plays a young tutor falling in love with a handsome boy. However, their road to romance is paved with potholes and speed bumps. Chan's fellow former child star Nancy Sit plays the boy's younger sister who saves the day with her shrewd, nimble-minded plans. Sit's role may be small but with radiance from her glorious smile and beaming personality, she brightens up this musical romantic comedy like a fairy-tale nymph.

The Eighteen Darts (Part 2) is a Chinese Opera Musical starring Jackie Chan, Sammo Hung and Yuen Biao in child roles.

The Eighteen Darts (Part 1) is a Chinese Opera Musical starring Jackie Chan, Sammo Hung and Yuen Biao in child roles.

In 1966, Connie Chan Po-chu and Josephine Siao Fong-fong starred in multiple contemporary films, cementing their onscreen persona as virtuous young women while becoming the hottest youth idols of their time. Colourful Youth remains the only contemporary film to feature both of them. Filmed in Eastmancolor, the song-and-dance spectacle keeps its fingers on the pulse of its era and presents the vigour of the modern times.

Family Doctrine is a drama film directed by Chu Kei and stars Wu Fung, Man Lan, Pearl Au Ka-Wai, Ma Siu-Ying, and Kitty Ting Hao.

Family Doctrine is a drama film directed by Chu Kei and stars Wu Fung, Man Lan, Pearl Au Ka-Wai, Ma Siu-Ying, and Kitty Ting Hao.

Bus Money dons various disguises on public buses to protect the defenceless from the bullies and receives heroic praise. Money meets Tai Ngau, a righteous journalist, when they bear witness to the callous response of Manager Mo to the death of his servant Ah-kwai. Tai writes to redress grievances of the deceased. When visiting the family of orphans, he chances on his kindred spirit giving the eldest daughter Ah-yin a gift of gold. Money exploits the weakness of Mo and her connection with his son Sze-fu to swindle a fortune out of the lewd man for the benefits of the fatherless children. Her rage grows learning that Mo's friend Fong Hak-sang has pulled off a lucrative fraud on returned overseas Chinese and forces Ah-yin to pledge herself in paying off her father's debts. Money, who has all kinds of tricks up her sleeve, teams up with Tai and gives Mo and Fong their comeuppance before setting off on her next mission.

Lawyer Fan Kam-man believes that his wife Chun Yuen-yung perished in a plane crash three years ago and walks down the aisle again with Yan Bik-kei. In fact, Chun survived a crash-landing on a deserted island with fellow passenger Wong Ah-lik, a biologist. Returning to civilisation, Chun sabotages their wedding night at the hotel. Overjoyed with her safe return, Fan pulls off a feat with his mother and wife to terrify Yan into divorcing him. However the lie is exposed when Wong shows up. Unyielding, the women settle to serve as wives to the same man. Mistaking Fan for the person Chun is going to see, the eavesdropping Yan goes to the date in her stead and unwittingly sleeps with Wong. Yan finally settles for Wong, putting an end to the topsy-turvy.

The Diary of a Husband serves as an illustration for the arrival of the white-collar economy, in which the extended family is replaced by the smaller nuclear family. It is a story about four pals who work at the same office, which, like other white-collar workplaces, has become the men's primary site of life, where livings are made and friendships fostered. Meanwhile, their wives have fostered something of their own—a brigade to catch cheating husbands. Much comedy is then generated by the cat-and-mouse game between the men and the women...The battle line drawn here between the sexes remains for years, to the extent that this very same story has been retold many times in Hong Kong films, including Men Suddenly in Black, the 2003 Pang Ho-cheung film with a similar Chinese title.

Yuk Yin's father dies and her mother remarries to settle the debts. Yuk Yin lives with Auntie Wong. From then on, Chi Hung, Auntie Wong's son and Yuk Yin live and play together. But the Wongs move away. Yuk Yin stays with her mother. Her stepfather is mercenary. When Yuk Yin grows up, he pushes her to get married to get money. Considering her daughter's future, Yuk Yin's mother sends her away. Yuk Yin works in a restaurant. When she learns that her mother is ill, she marries a dying rich young man to get money for her mother's treatment. After her mother's death, Yuk Yin gets married immediately, but her husband dies on the wedding night. Her mother-in-law sees this as unauspicious and expels Yuk Yin. Later, Yuk Yin chances upon Chi Hung. They are still in love. They married and have a son Kwok Wah. But Chi Hung dies. Yuk Yin works as a dance girl to support their living. Kwok Wah grows up and cannot accept his mother's job. But soon he understands that she is respectable.

Madam Kum is a well-known dance hall girl. She gave birth to her daughter Yin-fan. Kum gave her to some relatives. Nineteen years go by, and Kum accidentally runs into Fan's husband, Man-fai, in Singapore. She tells him everything. Fai is surprised but accepts the truth. They have a talk and agree not to reveal the truth to Fan. However, Fai promises Kum that he will arrange for her to see Fan. Gum starts to see Fan on public occasions. Bing-chiu, who has been chasing after Fan since college, runs into Fai and Kum. He tells Fan about it. Fan goes to Kum to ask her not to destroy her family. Kum is hurt but still does tell her the truth. She decides to returns to Singapore. She goes to Fan's house to see her once more. Fan is having her birthday party. She insults Kum and throws a glass of wine in her face. Fai cannot stand it anymore and tells his wife who Kum really is. Fan feels guilty. All the others are moved by what Kum has suffered and they start to accept her.

Married and with a son on the way, Zhang takes shelter in a big old house haunted by a ghostly female vampire.

Cheung framed Chan For. Chan orders his wife not to tell this to their children, Ah Lan and Hung. His wife passes away. On her deathbed, she asked a neighbour, To Chung-man, to take care of her children. Claiming to be a good friend of their father, Chan For moves in to the bed next to Ah Lan to take care of his children. Hung likes this uncle because he always treats him generously. But Ah Lan finds "Uncle For" weird and enthusiastic. Ah Lan is forced to pay her mother's debt. Hung is suffering from acute appendicitis. To solve Ah Lan's financial problem, Chung-man returns to his rich family and accept an arranged marriage. Ah Lan decides to sell herself to the construction site foreman for one night. Chan For wants to stop his daughter from making this deal, so he agrees to work for Cheung again. The next day he carries out a robbery and is caught. Ah Lan and Chung-man visit him in jail, and hold their wedding ceremony in front of him. He looks forward to the days when he returns.

An avid fan of film star Patsy Kar Ling, Tse Sing falls head over heels for his new colleague Cheung Wai-ling who is a spitting image of the star, not knowing that she is the mistress of Manager Chow. When his wife comes to check the new secretary out, Chow lies that she is Tse's wife. When the truth dawns on the eager suitor, he heaps scorn on her. The distressed Cheung becomes suicidal and before taking the fatal pills, opens her heart to Mrs Chow. She is saved in time and, touched by her words, Tse professes his love for her and wins her heart.

Hong Kong horror.

Fat Kau (Leung Sing-por) and his wife (Ma Siu-ying) are not on the best terms with their fierce daughter-in-law Tang (Tam Lan-hing). It is their secret wish that their grandson Kim-kwong (Yam Kim-fai) would marry an ill-tempered woman—it would be, Kau and Lee think, poetic justice for Tang to have a taste of her own medicine. But to their disappointment, the granddaughter-in-law Yu-chu (Law Yim-hing) turns out to be meek and understanding. Kau and his wife therefore tricks Yu-chu into starting a quarrel with Tang. Rich in intricate details of everyday life, the film depicts a witty battle between vivid characters, and is a comedic portrayal of the relationship between mother and daughter-in-law through three generations.

Lee Sun-fung is renowned for adapting literary classics for the silver screen. To commemorate the seventh anniversary of the Union Film Enterprise known for producing quality films and co-founded by Lee, Human Relationships is adapted from writer Ba Jin's novel into film. The Yiu family moves into a manor. Mrs Yiu, while frustrated by the way her step-son is spoiled by her husband and mother-in-law, develops a friendship with a kid (Michael Lai) who steals flowers from the mansion's garden. She later learns that he is the son of the place's former owner whose downfall at middle age is the result of being spoiled when young. Lai was only a child but gained a foothold among seasoned veterans like Cheung Wood-yau, Ng Cho-fan and Pak Yin.

Songstress Mui Yee-wah falls head over heels for painter Wai Tik-fung despite their age difference. Because Wai is a married man, Mui's mother is against the match. Mui falls ill from grief. Rich heir Siu Kar-wai seizes the chance to successfully propose to Mui. However, Siu is unable to let go of Mui's past. In a fit of anger, he fires a deadly shot at Wai.

Morris the Tailor seeks to get even with Gilbert, Earl of Chen who has stolen a set of expensive clothes from him. Morris bumps into Princess Jenna and the two fall in love at first sight. But the king voices his opposition since Morris is from the grassroots. Gilbert suggests that Jenna's aunt adopts him as her foster son. In a split second, Morris is elevated to a royal and becomes the king's son-in-law.

A Shaw and Sons production.

A Chinese Opera film by the Shaw and Sons studio.

A Chinese Opera in Cantonese by Shaw and Sons studio.

The Head of Southern Stone Village, Lee Ba-hung bullies others with his power. Yet he has no knowledge that his niece Lee Chun-hong is actually the Black Heroine who confronts him. It turns out that Chun-hong's father is fearful that Ba-hung would bully the mother and daughter of Chun-hong, hence he has disguised Chun-hong with woman attires. Chun-hong's identity is unveiled when she devotes herself to helping the refugees of a disaster by distributing food and emergency supplies. Ba-hung would like to murder Chung-hong by hanging, yet it ends in him being killed by his followers.

Reporter Yu Mong-yuen is recovering from a leg injury in his fiancee Man-wah's apartment. Bored, he looks out the rear window and observes the life of the neighbouring building. Among the tenants are a sugar-daddy and his mistress, a middle-aged man wants to marry a young girl, but she is in love with his son. Finally, she hatches a plot and makes the man agree to her marrying his son ; a sly fortune-teller ; a lively gym, a rich widow quarrels with the trainer of a gymnasium because his dog has bitten her cat ; and an opera school, a woman signs, leaning on the balcony, and a man tries to strangle her. In fact they are rehearsing an opera…… One evening, Wah is on the night shift, and Yuen watches the opera troupe rehearse to the end. Under the influence of drugs, Yu mistakenly believes that a divorced man has murdered a taxi dancer. He alerts the police, but the whole thing is nothing more than a misunderstanding.

Ah Hing is made pregnant by her master Fan Chun-kit. Fan soon leaves for his studies overseas while Ah Hing suffers gross prosecution and is reduced to becoming a prostitute. In a momentary slip of a struggle, Ah Hing commits manslaughter. Now a qualified lawyer, Fan acquits Ah Hing of the charge, and intends to marry her to redeem his negligence in the past. Ah Hing, however, is determined to pursue an independent life.

The film commences with Ching (Tang Bik-wan) lamenting over her bleak life through singing: her mother died early and her stepmother (Lam Mui-mui) is wicked. The song precedes her appearance in the house while the cinematography helps to tug at the emotional heartstrings. Because of her debt-ridden father, Ching is forced by the stepmother to marry an old invalid. To prevent the marriage, Ching's lover Ho (Chan Kam-tong) raises money by agreeing to marry his own cousin (Fung Wong Nui). Ching's life is doomed, yet, when the stepmother absconds with the money. With all her hopes dashed to the ground, Ching decides to opt out of marriage for life. However, witnessing her 'self-combed' sworn sisters being bullied even to the point of committing suicide further devastates her. This tragic heroine comes to life through Tang's masterful performance both as a singer and an actor. The climatic and tear-jerking scene of Ching dying is definitely a highlight of the film.

The film features a conflict between a young wife and her mother-in-law, depicting the lives of ordinary people and their profound problems.

"Family" (1953), which launched the Union Film legacy, "Spring" (1953) and "Autumn" (1954) are adaptations of Ba Jin's highly regarded novel "Torrent Trilogy". In "Family", director Ng Wui skilfully condenses the voluminous first part of the novel into an emotionally powerful and intellectually focused story of youngsters struggling to survive oppression and repression in a feudalistic family. This well-received film quickly established the company's reputation.

Comedy from Hong Kong directed by Fung Chi-Kong.

Comedy from Hong Kong directed by Chiang Wai-Kwong.

This is a film that celebrates the moral function of art. Sun Ma Si-tsang, at once a master Cantonese opera actor and a talented comedian, showcases an oft-overlooked style of singing, presenting it as an inspirational force that saves life and betters relationships. He plays the titled character, who doesn't operate a boat and is nowhere near bodies of water, but an artist specialising in the Dragon Boat style of music. Forced to perform on the streets to make a living, he ventures into situations manifesting the many societal problems that plague Hong Kong, inspiring and elevating common folks with his artistry. He stars alongside Leung Sing-por in a classic animation of comedy partnership, generating laughter from the interactions between players of contrasting body types.

A shoe salesman and a tailor respectively fall in love with two sisters, Yuk-sin and Yuk-ling, both reputed singers on the radio. The men devise various schemes to meet the two women. Fourth Aunt, the sisters' mother, treats the two women as commodities to be traded off to the highest bidder, greedily making money off their talents by arranging lucrative concerts. The shoe salesman and the tailor disguise themselves as rich men to get close to their dream lovers. Finally, the sisters are won over by true love.

Chinese Opera from Hong Kong directed by Chun Kim.

The rapier wit is not only for playful bantering between a couple but also for fighting justice. Famed attorney Sung Sai-kit (Ma Si-tsang) is best known for his sharp pen and silver tongue. His wife Madam Tong (Hung Sin Nui), sympathetic with a wronged widow, tries every trick up her sleeve to get her husband to help. Ma is funny and lovable who morphs from the henpecked husband to the brilliant and shrewd attorney at court, he displays perseverance behind his devil-may-care and nonchalant attitude, even Stephen Chow reincarnated his persona in the 1992 version.

An early Romantic Comedy featuring Tak-Hing Kwan and Kien Shih.