Hede Beck

Kerstin is in great pain. Her daughter Juliane wants to help her die, but the law forbids it. Jessica Krummacher’s second feature describes the most important of events via tiny details that stay with us and get under our skin.

The middle of the 21st century. A dystopian drama in an overaged and run-down Germany. When the so-called "Endjährigkeit" - compulsory euthanasia at the age of 80 - is introduced, a father and a son are forced to put their broken relationship to a final test.

The life of Karsten, a mortician, isn’t going that well at the moment. Just in time for Christmas, his parents inform him during the festive dinner that they want to commit suicide together. In five days. Usually used to death, he tries everything to convince the dear mother Marion and the father Theodor, suffering from Parkinson’s disease, not to pursue their plan. But the conflict about the self-determined death opens up old wounds – and as Karsten’s own health deteriorates rapidly, it is no longer clear who needs to be saved.

A 13-year-old refugee from Afghanistan living in an emergency shelter in Germany joins a Christian boys' choir to save his father who was left stranded in Hungary, and clashes with the strict choir master.

Paul Bacher is in crisis. If he could feel in the past as one of the most influential writers of his generation, he has long lacked ideas and impetus for a new great work. His reading tours are becoming more and more a sad affair with too much alcohol and too little public. Then Paul overflows in a drunken hitchhiker, flees first scared and later removes the body, without talking to anyone about the experience. But something is flowing in its interior. Paul starts to write again. The criticism is done, but the story about the death of a hitchhiker also arouses suspicion.

A mystery thriller directed by Michael Rösel.

In the young Federal Republic of Germany, which in the late 1950s in politics and justice is still interspersed with only superficially purified Nazi cliques, leads the Hessian Attorney General Fritz Bauer a lonely fight against the coverup of Nazi crimes and the restorative policy of the government Adenauer - he is firmly convinced that only in this way can the young democracy be consolidated. Not only his attitude, but also his temperament make Bauer vulnerable, again and again resistance forms from politics, intelligence services and the judiciary against the lone fighter.

A bitter-sweet comedy about miscommunication, grief and the price people are willing to pay to avoid emotions.

When Sandra returns home from a foreign assignment, she feels like a stranger. People rushing to work on the subway, yoga classes and her job as a paramedic – Sandra is looking at it all from the outside, as if she doesn’t belong…

Hell hath no fury like an employee scorned.

The near future. Every night the media show new reports about war and terror which constantly loom like a dark cloud over the nation. To protect the citizens from possible air attacks the GNOSIS Corporation has developed a personal bomb shelter for everyone - the new BS-2016. While nearly every household in the city has one installed already, 12 year old Alex is still begging his dad to finally buy one so he can feel safe. As the air raid alarms go off that night and lights from exploding rockets gloom in the dark skies it seems too late: Alex has to face his fears and soon discovers a dark conspiracy that not only threatens his life but the life of his whole family as well.