Yvonne Savage

A common thief joins a mythical god on a quest through Egypt.

A man (Richard Roxburgh) the Australian government blames for 1990s political woes blames his mother (Judy Davis), a communist Stalin seduced in 1951.

In late 19th-century England, Jude aspires to be an academic, but is hobbled by his blue-collar background. Instead, he works as a stonemason and is trapped in an unloving marriage to a farmer's daughter named Arabella. But when his wife leaves him, Jude sees an opportunity to improve himself. He moves to the city and begins an affair with his married cousin, Sue, courting tragedy every step of the way.

In late 19th-century England, Jude aspires to be an academic, but is hobbled by his blue-collar background. Instead, he works as a stonemason and is trapped in an unloving marriage to a farmer's daughter named Arabella. But when his wife leaves him, Jude sees an opportunity to improve himself. He moves to the city and begins an affair with his married cousin, Sue, courting tragedy every step of the way.

In 1930s Australia, Anglican clergyman Anthony Campion and his prim wife, Estella, are asked to visit noted painter Norman Lindsay, whose planned contribution to an international art exhibit is considered blasphemous. While Campion and Lindsay debate, Estella finds herself drawn to the three beautiful models sitting for the painter's current work, freethinking Sheela, sensual Pru and virginal Giddy.

A small town in Australia, in the late 1950s: Brownie and Lola are deeply in love. But because they are under-age, their parents are against their relationship and try to separate them.