Avi Belleli

A childless young ultraorthodox couple faces a crisis after a traumatic treatment for barrenness. When the difference between good and bad is unclear, the family must deal with unresolved secrets that raise fundamental questions about religion and faith.

The film portrays the renowned illustrator David Polonsky, during his work on a new children’s book. Along with his masterpieces: “Waltz with Bashir” (Winner of the Golden Globe) “The Congress” (Winner of the European Film Awards) and “Anne Frank’s Diary: The Graphic Adaptation” (Which was published all over the world) the film also depicts Polonsky’s own intimate world as a child who immigrated to Israel from Kiev and as an artist who’s art explores identity and roots.

The film tells the stories of LGBT men and women who, for religious reasons, decided to marry against their own sexual orientation, to comply with Torah laws and be accepted into their families and religious communities. Some shared their secret with their partners, some kept it hidden, and some lied even to themselves. After their divorces, they confront the conflicts they repressed: their faith and religious laws; children, family and community; exposure to society and search for a partner.

Twelve-year-old Mussa won't speak and no one knows why. He is an African refugee living in Tel Aviv, and for the past five years he's been bussed from his troubled neighborhood to an upscale private school. Moussa's Israeli classmates are his best friends, but he chooses to communicate with them only through gestures.

The story of Ohad Naharin, renowned choreographer and artistic director of the Batsheva Dance Company, an artistic genius who redefined the language of modern dance.

Based on the turbulent life story of the poet Yona Wallach. The film focuses on the period in which she was just a young village girl, a war orphan, clawing her way through the world of Hebrew poetry. With the outbreak consciousness and transition from the village to the big city, Jonah, which examines the limits of herself and wants to know everything, experienced a mental breakdown. Spirit of the times, Jonah was treated LSD. The struggle to return to write and occupy its own place heavy charge her, but earns her immortality on the Hebrew poetry shelf.

A group of friends at a Jerusalem retirement home build a machine for self-euthanasia in order to help their terminally ill friend. When rumors of the machine begin to spread, more and more people ask for their help, and the friends are faced with an emotional dilemma

After a long night, Bashir returns home from work to find his Jewish girlfriend Karin with an unexpected baby in her arms. “We’re a family now,” she tells him, "and we'll never be apart". Bashir is torn between his will to devotionally support his girlfriend and doing the right thing by returning the baby to his mother, a foreign worker who left her child under the threat of being deported from Israel. A decision is made and the couple sets-out on a runaway journey with the baby wrapped in a blanket. As they escape the police, Bashir does his best to look after and protect both Karin and the baby, but he knows the end is near and every solution will have dire consequence. Being an Arab-Israeli with a Jewish girlfriend makes him the “usual suspect”. In the background of social and political topics such as Arabs, Jews and foreign workers, a tender love story is revealed and a delicate family is formed…

Daphne and her four children try to cope with the abrupt death of husband/father. As the family seems to fall apart, a sudden incident gives them a chance to heal their 'broken wings'.