Writer
THEY KILLED THE SONG! Thirty-year-old Imane lives with her husband and three children in a modest house across from the historic citadel of Aleppo. She suddenly realizes that it's been ten years that she's been married, ten years during which she's done basically nothing more than take care of her husband and their three children.
Co-Producer
Alex Randal (Stephen Moyer), a young reporter on the make, decides, without knowing anything about the situation, to go to Beirut on October 23, 1983, when he hears a radio report about suicide trucks exploding on both an American base and a French base, resulting in the deaths of hundreds of soldiers. Seduced by a gifted and enigmatic photographer, Julia Muller (Anne Parillaud), Randal finds a capitol torn by civil war, where political, financial and strategic interests intertwine.
Producer
The death of a prince brings a young woman back to the palace where she was born into servitude. The lingering legacy is brought into light from behind frosted windows and velvet curtains.
Delegated Producer
A community of people rejected by society live in an abandoned residence located in a "Medina": an old town in Tunisia. Al Bab, a local criminal running the residence's prostitution circle, returns from prison on his wedding day.
Fraj, his brother and the town warlock, falls in love with Ramla, his brother's future wife: He is the only man of the residence who has seen her face, as she is kept prisoner in one of the rooms until the wedding night.
Producer
Twelve-year-old Noura dangles uncertainly in that difficult netherworld between childhood and adulthood. His growing libido has gotten him banned from the women's baths, where his mother took him when he was younger, but he's not yet old enough to participate in grown-up discussions with the men of his Tunisian village. Noura's only real friend is a troublemaker named Salih -- the village political outcast.
Assistant Director
Pierre, a young man of Brussels, has lost his job. Unbeknowst to Barbara, the woman he lives with, he has become a pickpocket to survive. He works in partnership with a young Tunisian immigrant he meets every Sunday in an abandoned bus where they share the loot of the week. One day, Pierre finds his accomplice dead in their hiding place. Pierre suddenly realizes that he does not know much about his dead friend. Taking possession of his identity papers, Pierre decides to go to Tunisia to find out who his friend actually was.
