Roy Boulter

Movies

The Last Bus
Producer
Widower Tom, on the recent passing of his wife Mary, uses his free bus pass to travel the length of Britain from John O'Groats in Scotland to Land's End in Cornwall, their shared birthplace, using only local buses. It's an incident-fuelled nostalgia trip and his encounters with local people make him a media phenomenon. Tom is totally unaware and to his surprise on arrival at Land’s End he’s greeted as a celebrity.
Sometimes Always Never
Producer
Alan is a stylish tailor with moves as sharp as his suits. He has spent years searching tirelessly for his missing son Michael who stormed out over a game of Scrabble. With a body to identify and his family torn apart, Alan must repair the relationship with his youngest son and solve the mystery of an online player who he thinks could be Michael, so he can finally move on and reunite his family.
The Boat
Producer
A lone fisherman on his daily run finds himself lost in a thick fog which proves impossible to navigate. The worst is yet to come when his encounter with a seemingly abandoned sailboat becomes a fight for survival against an enemy unknown.
A Prayer Before Dawn
Producer
The amazing true story of Billy Moore, an English boxer incarcerated in Thailand’s most notorious prison. Thrown into a world of drugs and violence, he finds his best chance to escape is to fight his way out in prison Muay Thai tournaments.
Sunset Song
Producer
The daughter of a Scottish farmer comes of age in the early 1900s.
Of Time and the City
Producer
A heart-stirring meditation on time, memory and mortality, “Of Time and the City” is Terence Davies’ poetic, conflicted ode to his birthplace of Liverpool, England. The visual content of the film consists largely of archival clips of the city from the 1940s to the 1960s, their nostalgic charm darkened by accompanying music and the counterpoint of Davies’ dry, at times dyspeptic, voice-over narration. His voice thickens with emotion as he recalls the delights of juvenile movie-going or the ritual of a holiday trip to New Brighton, across the River Mersey, and hardens with contempt when he turns his gaze on the hoopla surrounding Queen Elizabeth’s coronation in 1953. The film is a powerful evocation of the director's youth in post-war Britain and a reflection on how his home city has changed over the years.