Cinematography
A POV documentary following filmmaker Teresa Alfeld's journey uncovering the story of her childhood best friend's dad, Doug Bennett, leader of the legendary 1980s Canadian party band Doug and the Slugs.
Additional Photography
After 11 strangers unite to help a gay youth escape life-threatening violence in Uganda, the unexpected pandemic and conflicting opinions over his best interests test the limits of their commitment and jeopardize his fresh start in Canada.
Director of Photography
Filmmaker Jennifer Abbott explores the emotional and psychological dimensions of the climate crisis and the relationship between grief and hope in times of personal and planetary change.
Director of Photography
An abused and bullied boy discovers and befriends a criminal chained inside an abandoned warehouse, but after a violent betrayal the abused becomes the abuser, putting both their lives in peril.
Director of Photography
Accused of heinous crimes and labeled a "terrible savage," an Indigenous businessman-turned-outlaw hides out during a brutally cold winter and evades a bounty hunter who’s also looking over his own shoulder.
Director of Photography
A feature documentary investigation into the colourful and sometimes controversial life of Vancouver lawyer, city councillor and socialist icon Harry Rankin.
Director of Photography
In 1976, Canadian stuntman Ken Carter declared his intention to jump a mile over the St. Lawrence Seaway in a rocket powered car. In 2008, Canadian musician Mark Haney declared his intention to pay tribute to Ken Carter in the form of a concept album for solo double bass. In 2011, Canadian filmmaker John Bolton declared his intention to make a "musical docudrama" about both men. Aim for the Roses is a one-of-a-kind film, about a one-of-a-kind album, about a one-of-a-kind stunt, all three of which could only happen in Canada.
Director of Photography
A blue-collar construction worker is left alone to care for his infant daughter after his wife dies.
Additional Photography
Sundance award-winning director Julia Kwan’s documentary Everything Will Be captures the subtle nuances of a culturally diverse neighbourhood—Vancouver’s once thriving Chinatown—in the midst of transformation. The community’s oldest and newest members offer their intimate perspectives on the shifting landscape as they reflect on change, memory and legacy. Night and day, a neon sign that reads "EVERYTHING IS GOING TO BE ALRIGHT" looms over Chinatown. Everything is going to be alright, indeed, but the big question is for whom?
