Damião Lopes

For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!

A film about love, also a memoir, about the trip made in the 1970s to Morocco by Jarda Ícone, an artist, sexologist, and octogenarian rocker, as she defines herself, and Lírio Terron, a human rights activist. In fact, a journey that is not over in their lives. Jarda Icon teaches classes on how women can obtain their own orgasm. With her group of disciples and friends Ana Brasil, Sheyla Fernanda, Caroline Sylvie and Lakshmi she develops self-sustainable feminist and artistic projects. The film is political, but not at all politicized in the traditional sense. It is an ode to the underground and counterculture movements, it is a hymn to freedom, and its title is also a tribute to Oswald d Andrade, one of the main names in Brazilian modernism.

A film about love, also a memoir, about the trip made in the 1970s to Morocco by Jarda Ícone, an artist, sexologist, and octogenarian rocker, as she defines herself, and Lírio Terron, a human rights activist. In fact, a journey that is not over in their lives. Jarda Icon teaches classes on how women can obtain their own orgasm. With her group of disciples and friends Ana Brasil, Sheyla Fernanda, Caroline Sylvie and Lakshmi she develops self-sustainable feminist and artistic projects. The film is political, but not at all politicized in the traditional sense. It is an ode to the underground and counterculture movements, it is a hymn to freedom, and its title is also a tribute to Oswald d Andrade, one of the main names in Brazilian modernism.

In the film, indigenous peoples tell the dramas and the danger of contamination of rivers and waters by mercury from mining. The animation is available with narration in two indigenous languages (Yanomami and Munduruku), in addition to Portuguese. The narrations were made by the indigenous populations themselves, and the script was developed collectively between audiovisual producers, researchers and the peoples portrayed.

“If you had to choose between me and your mother, who would it be?” Capitu asks provocatively of her problematic lover. Elsewhere, they dance to inaudible music with their friends, each couple keeping to a rhythm of their own. At times, this depiction of the memories we see one Dom Casmurro commit to paper with a flamboyant pen seems to be an interplay of conflicting emotions – particularly when jealousy raises its head. Adapted from the Brazilian classic novel 'Dom Casmurro' (1899) by Machado de Assis as an ironic/philosophical essay on poetry and jealousy, and featuring fragments of Bressane’s previous works.

Faced with the advancement of eucalyptus plantations, a farmer and an indigenous community stand as resistance and reveal the impact of monoculture on the environment, in contrast to traditional ways of life. The enemy can also be green.

A delicate and tenacious writer, widowed three years ago, engages in frequent conversations with a parrot. However, she’s always observed by a large portion of raw meat.

The documentary will reveal parallel narratives that present the life of the cartoonist and activist, Henrique de Souza. The film explores a movement of discovery of the character next to the young people from a class of animators who tries to bring the work of Henfil to the present days. In addition to the findings from friends' testimonies, revelations about how the artist used his drawings as a device to "dribble" political censorship and also as a resource for dealing with his fragile health, caused by hemophilia, and expose your creative restlessness.

Flute player Carlos Malta searches for traditional pife players and the mutual dependencies they share with the contemporary music to which he belongs.

From saved memories of a long journey, a letter is sent to the future. Alone, away from home and on the eve of her 30th birthday, a Brazilian is on a journey through Africa. In the letter to her daughter, she tells of encounters with women living in their cultures and times. A diary, a road movie and an invitation to all the people who lead their own paths.

Brazilian short film, directed by Julia Murat.

A marginal version of Brecht’s piece, “Baal”.