Mauro Calanca

Movies

The Son
First Assistant "B" Camera
A successful lawyer, with a new wife and infant, agrees to care for his teenage son from a previous marriage after his ex-wife becomes concerned about the boy's wayward behavior.
Ricordi?
First Assistant Camera
A long love story, seen through the memories of one young couple. The journey through the years of two individuals, united, divided, happy, unhappy, deeply in love, or in love with others, in a single stream of emotions and shades of feeling. Over the course of the film, he learns that love can indeed last, while she learns to live with nostalgia.
Piranhas
Assistant Camera
A gang of teenage boys stalk the streets of Naples armed with hand guns and AK-47s to do their mob bosses' bidding – until they decide to be the bosses themselves.
The Fourth Parcae
Director of Photography
Sabina Cervoni, member of Exit, provides assistance to whoever chooses to take its own life legally.
The Finch Thief
Camera Operator
In the Campania countryside, Pasquale Cardinale, an elder ranger, spends his days between alcohol and video poker. To settle the debts he organizes a scam of 200 white pure goldfinches, replacing them with common ones, but it will not end as expected.
MILF
First Assistant "B" Camera
Three childhood friends - Elise, Sonia and Cecile - leave for a summer in the South of France to help clear Cecile’s holiday house before it is put up for sale. There, they soon become the prime targets of three horny young men, for whom these single forty-year-old women are much more attractive than girls their age.
Religious Place of Worship
Assistant Camera
Set on the small island of Porto Buio, the traditional live Christmas Nativity scene might not go ahead because the baby who’s always played Jesus has grown up and no new babies have been born on the island in years! With this fundamental tradition on the line, newly elected Mayor Cecco (Claudio Bisio) wants to ask the local Tunisian community to “borrow” one of their children, but there’s conflict between the two communities. Cecco enlists the help of local Islam convert Bilal (Alessandro Gassman) to cross the cultural divide… but both communities are not sure what to make of a baby Jesus that may need his nationality, and even his religion changed!
Sweet Dreams
First Assistant Camera
Turin, 1969. Nine-year-old Massimo’s idyllic childhood is shattered by the mysterious death of his mother. The young boy refuses to accept this brutal loss, even if the priest says she is now in Heaven. Years later in the 90s, adult Massimo has become an accomplished journalist. After reporting on the war in Sarajevo, he begins to suffer from panic attacks. As he prepares to sell his parents’ apartment, Massimo is forced to relive his traumatic past. Compassionate doctor Elisa could help tormented Massimo open up and confront his childhood wounds…
Gramsci 44
Camera Operator
Between 1926 and 1927, the Italian intellectual and Communist political figure Antonio Gramsci spent 44 days imprisoned on the island of Ustica, off the northern coast of Sicily. Together with his fellow prisoners, he founded a school. This unique institution was open to all, welcoming people of all ages and social backgrounds, even the illiterate. Ustica still remembers this revolutionary school. Ustica, remote and neglected, still waits patiently at the harbor, hoping that the boat from the mainland will come.
Blood of My Blood
Assistant Camera
Northern Italy, 17th century. In a monastery, a nun accused of witchcraft tries to seduce a young confessor who refuses to yield to his searing temptation.
Napoli, Napoli, Napoli
Key Grip
Weaving together fact and fiction, this docudrama performs a portrait of the often seamy underside of the city of Naples.Ferrara traveled to Italy to interview the inmates at the Naples Pozzuoli State Prison, a high security lockup for women, and with the help of a translator he allows a number of women doing time to talk about their lives before and after they were convicted. Ferrara chose to expand the short profile of the prisoners into a feature by offering a look at life in the slums of Naples and the actions of a number of law enforcement officers and social workers struggling to improve conditions for the poor, as well as adding three short fictional segments shot of digital video gear.