Radamés Gnattali

A prodigy of stringed instruments, a pioneer of Bossa Nova, a modernizing master of the guitar: Aníbal Augusto Sardinha, better known as Garoto (1915-1955), is one of the hidden pillars of Brazilian music. Woven by rare archival material, personal diaries and testimonies, this documentary reveals his influence and the artistic conflicts of an avant-garde artist in the golden age of Brazilian radio.

Creative documentary on multi-faceted Brazilian musician Radames Gnattali

Glorinha, a middle-class 15 year old girl, always thought her mother Judite had killed herself, and that her father Gilberto has gone crazy as result. Her friend Nair takes her to a high-class bordello, where she wants to work. When uncle Raul, who raised her, discovers her prostitution, he decides to finally tell her all the truth about her parents' story.

Otavio is an idealistic union leader trying to organize workers at a factory to resist the company's exploitative practices. His son, Tião, one of the employees, is more of a realist and doesn't want to risk losing his job by striking. This clash of perspectives puts the father and son at odds. Fortunately, Tião's mother, Romana, is on hand to act as a moderator between the two opinionated men.

The dreams and problems of three friends: Malagueta, an inveterate gambler; Perus, former factory worker who abandoned the assembly line to earn his living at the billiards; and Bacanaço, trickster who puts on chic airs, always dreaming of performing the ultimate big swindle.

In a fishing village, animosity grows between father and son, when the latter starts to desire his lover. In the midst of the tension, a co-worker dies and another teases about the dilemma.

After visiting a fortune teller, Zulmira is informed that a blonde woman will threaten her peace. After talking to her husband Toninho, she suspects that her cousin Glorinha may be that blonde. In poor health, Zulmira makes all the preparations for the day of her death and asks her unemployed husband to deal with the costs of the coffin and funeral with a man named João Guimarães Pimentel. What Tom doesn't know is that Zulmira and this man hide some secrets that he could never imagine.

Homeless children in the slums of Rio are driven out of their temporary shelters by ruthless gangsters in this somber drama. The kids survive by shining shoes, stealing, and cutting the strings of the kites to sell them later to others. Tired of life on the streets, one boy turns himself over to the police in hopes he will be sent to reform school in a last desperate attempt to survive. This feature from acclaimed Swedish director Arne Sucksdorff appeared at the 1965 Cannes Film Festival.

Cowboy Riobaldo is attracted to same sex Diadorim, not knowing that "he" is a girl dressed in man's clothes. After Diadorim's father is killed, she swears revenge, being joined by Riobaldo in this mission.

UFO falls on a hillbilly's hencoop and he tries to sell it. Soon international missions are sent to the place, for there's a suspicion it might be the famous Russian satellite, the Sputnik.

Somebody is selling songs for two recording companies, simultaneously. The owner of one of them hires a detective to find out the swindler's identity. But the private-eye is clumsy, and messes things up even more.

Dona Xepa is a vegetable stand owner. She dreams about the success of her scientist son. The film is based on the play by Pedro Bloch.

Alligator raiser from the state of Mato Grosso, Brazil, travels to his nephew's, and takes the maid Etelvina for his nephew's wife.

Barber likes to help everybody in town. Now, he's trying to help a young couple in love defeat the girl's tutor, who is against the romance.

A talented songwriter of sambas is forced to face the social injustices of the city around him.

The story of the confusion experienced by Aparicio Boamorte who works in the Zoo and has a giraffe as a confidante to vent the scolding he takes of all the people with whom he relates.

Clementino is a postman who doesn't have much talent for the job and is six months behind in the payment of his apartment. While delivering a correspondence, he is kidnapped by a masked bandit, but manages to escape, and ends up helping the police in the capture of the whole gang, getting a lot of money as reward.

Isidoro, a poor guy, suddenly becomes a millionaire, and gets into the most bizarre situations.

Isidoro Colepicula is a humble truck driver hired to transport some furniture from São Paulo to Santos, in his worn out truck he calls "Anastácio". Hiding among the pieces travels a bride who's trying to escape her own marriage. With his dog Coroné, he gets himself into many amusing situations, especially when the packed vehicle is left without brakes on a steep road, and he has to chase after it.

Tico-Tico no Fubá is a 1952 Brazilian comedy film directed by Adolfo Celi and starring Anselmo Duarte. It was entered into the 1952 Cannes Film Festival. The film is a fictionalized biography of Brazilian composer Zequinha de Abreu (1880–1935), who penned the song "Tico-Tico no Fubá" that became an international hit in the 1940s.

In Rio de Janeiro, Gilberto (Celso Guimarães) is a talented artisan engaged of Marina (Lídia Mattos), working in a pottery factory. He is hired by the millionaire widow Luciana (Carmem Santos) to perform a restoration in her castle in Correas, a district of Petrópolis. He suffers an accident and Luciana lodges and treats him for a long period, and they fall in love for each other.

In Rio de Janeiro, Gilberto (Celso Guimarães) is a talented artisan engaged of Marina (Lídia Mattos), working in a pottery factory. He is hired by the millionaire widow Luciana (Carmem Santos) to perform a restoration in her castle in Correas, a district of Petrópolis. He suffers an accident and Luciana lodges and treats him for a long period, and they fall in love for each other.

A man kills his wife on their wedding night, after discovering she had been unfaithful. After being acquitted, he moves to the country, where he becomes part of a love triangle.