Ursel Werthner

The whole world is just cars, cars, cars.

A high-impact composition, razor-sharp.

In his experimental short film "Brutalität in Stein" (Brutality in Stone), Alexander Kluge demonstrates how Nazi architecture used dimensions of inhuman and super-human scale to bolster the regime's politics of the same kind. Shots of huge neo-classical architectural structures from the Nazi period are confronted with equally anti-human national-socialist language as a voice-over.

Documentary short by Raimond Ruehl about the hard work of salt production.

Detten Schleiermacher did not start making films until late in life. He was actually a typographer. With “Trab Trab” he made an impish attempt to create a synthesis between Dadaism and New Objectivity. The film is a precise and elegant account of a racecourse. It does so without narration or images of either horses or patrons; everything we see has been captured either pre- or post-race.

The traditional and modest life in deep rural Crete. A film on the verge of traditional documentary film and an attempt to find a new direction in terms of what documentary film could be. An envious look at contemporary works by his fellow filmmakers from the British Free Cinema, obviously spurred on director Pitt Koch’s ambition.