Marcelo Martinessi
Birth : 1973-01-01, Asunción, Paraguay
Producer
After her girlfriend is imprisoned on fraud charges, Chela is forced to face a new reality. Driving for the first time in years, she begins to provide a local taxi service to a group of elderly wealthy ladies. As Chela settles into her new life, she encounters the much younger Angy, forging a fresh and invigorating new connection.
Screenplay
After her girlfriend is imprisoned on fraud charges, Chela is forced to face a new reality. Driving for the first time in years, she begins to provide a local taxi service to a group of elderly wealthy ladies. As Chela settles into her new life, she encounters the much younger Angy, forging a fresh and invigorating new connection.
Director
After her girlfriend is imprisoned on fraud charges, Chela is forced to face a new reality. Driving for the first time in years, she begins to provide a local taxi service to a group of elderly wealthy ladies. As Chela settles into her new life, she encounters the much younger Angy, forging a fresh and invigorating new connection.
Writer
Follows the journey of Spanish Jesuit and anthropologist Bartomeu Melià on his visit to a Mbya Guaraní indigenous community, which he first encountered 47 years ago and where he lived before his exile from Paraguay.
Director
Follows the journey of Spanish Jesuit and anthropologist Bartomeu Melià on his visit to a Mbya Guaraní indigenous community, which he first encountered 47 years ago and where he lived before his exile from Paraguay.
Producer
Based on an original interview about the Curuguaty massacre, The Lost Voice interrogates Paraguay's recent history.
Editor
Based on an original interview about the Curuguaty massacre, The Lost Voice interrogates Paraguay's recent history.
Writer
Based on an original interview about the Curuguaty massacre, The Lost Voice interrogates Paraguay's recent history.
Director
Based on an original interview about the Curuguaty massacre, The Lost Voice interrogates Paraguay's recent history.
Director
Director
Editor
The revolution is over, but outlaws in the arid Chaco still harass the poor. An old woman reluctantly welcomes a lone gaucho.
Writer
The revolution is over, but outlaws in the arid Chaco still harass the poor. An old woman reluctantly welcomes a lone gaucho.
Director
The revolution is over, but outlaws in the arid Chaco still harass the poor. An old woman reluctantly welcomes a lone gaucho.
Screenplay
Director
