André Hervée

On a winter night, the author of "The King and the Mockingbird" is visited by the cartoon characters he created in his studio. Along with a little clown, he screens a selection of his favorite shorts

This drama attempts to be a film within a film. In the outer story, Andre Dussolier stars as a film director working with drama students at the Paris Conservatory, making a film (the inner story) about a woman's obsession with a foreign desert. Wallowing in maudlin sentimentality, this feature fails to live up to the promise of its probable inspiration, Fame (1980), and was not well-received at the 1988 Cannes Film Festival. However, as a medium for instructing director Francis Girod's actual students at the Paris Conservatory about the art and perils of filmmaking, it was undoubtedly a good deal more successful.

In a building on the Boulevard Haussmann in Paris lives ten-year-old Roger, who is surrounded by women - his great-grandmother, his grandmother, and his mother Nicole. Living in an exclusively feminine environment, the boy wishes more than anything else to have a masculine presence around. His dream comes true when he meets Jacques, who's madly in love with Nicole and who is about to completely turn the boy's life upside down.

On the island of Jersey, off the French coast, Mélanie, a beautiful woman gifted with a captivating personality, enjoys having unimportant love affairs that her husband Victor, a perfumer older than her, seems to endure with total indifference.

Emmanuelle, a svelte, naive young woman, is en route to Bangkok where she'll join her new husband. He works for the French Embassy and has a lovely home, several dedicated servants, and an expensive car at his disposal. Once Emmanuelle arrives, her husband and a few friends introduce her to a realm of sexual ecstasy she'd never imagined.

Leading man Michel Piccoli plays Pierre, a young musician who briefly catches sight of a beautiful woman dressed in blue and soon spends all of his time trying to track her down. After roaming the streets of Paris in search of the mystery woman, he recruits an old friend to help find her.

1830, somewhere in France. Aurore is a young, beautiful and virtuous widow. She meets Raphael, a man of leisure, a debauchee. Raphael is obsessed by the death, and wait for it by chasing women and drinking. He first tries to seduce her, but is impressed by her and gives up. But Aurore felt in love with him, and tries not to look as inacessible. A romantic drama, with dispair, cynism, disgust for life and love.

Julien, a renowned geologist, lives with his wife Isabelle and their two children in a country house. But his sullen, uncompromising attitude leaves tensions high. The arrival of Carl-Stephane, a young German student, brings a breath of fresh air and lightness to the household.

Cellist Gaspard is living in a big house in the country with his son and three nieces. He likes being quiet. One day, his modest car bumps into a Rolls-Royce, driven by Felicia, a young, beautiful, wealthy and temperamental woman. And she knows it. She is very angry at him because he seems not to be under her charm. She decides to seduce him, but Gaspard did not feel like letting his life being invaded by such a woman.

Lamiel (Anna Karina) is a poor orphan girl who climbs her way to the social elite in this 19th-century costume drama. A doctor (Michel Bouquet) lives vicariously through Anna as he oversees the progress of his female protégé. Lamiel finds love with a young thief who steals into her bedroom after her marriage to a penniless count (Jean-Clause Brialy), and the two experience a romantic rendezvous of forbidden love after Lamiel goes from being a poor peasant woman to living a life of comparative luxury.

An illegal gambling den where players can lose millions... and the owners make their fortune.

The charismatic, surly son of a wealthy industrialist, Clément, leads a double life as a member of a right-wing extremist organization. When he’s ratted out after a failed assassination attempt on a prominent politician, Clément and his long-suffering wife Anne flee Paris to the idyllic country home of his childhood friend, pacifist print-maker Paul. As affection blossoms between Paul and Anne, the emotional, as well as political tensions, soar and eventually explode.

A brash and precocious ten-year-old comes to Paris for a whirlwind weekend with her rakish uncle. He and the viewer get more than they bargained for, however, in this anarchic comedy that rides roughshod over the City of Light. Based on a popular novel by Raymond Queneau that had been considered unadaptable, the audacious Zazie dans le Métro, made with flair on the cusp of the French New Wave, is a bit of stream-of-consciousness slapstick, wall-to-wall with visual gags, editing tricks, and effects.