Mathilde Cathelin

After failing the medical entrance exam, Léopold enters midwifery school by default, hiding the truth from those around him. While he is unconvinced of his commitment to this exclusively female environment, his meeting with Nathalie, an experienced midwife with a passionate character, will change his view of this fascinating world and upset his certainties.

Growing up among horses at her parents' stud farm, Zoé dreams of becoming a jockey and forms a deep bond with a young horse. A terrible accident threatens to end their racing careers, but they fight to reach victory together.

Following a failed hold-up, leg-hurted Antoine is looking to hide at Elias's home. Nothing reserved the anarchist robber to meet this life-disciplined history teacher. Then, a strange balance of power set in, between ascendency and friendship, before the arrival of Lucie, investigator in charge of the case.

Poor Bastards is a sketch film, written by twelve authors. Mirror or projection, poor bastards have fun with everyday facts and do not tell a story, but stories. Through these short and bitter stories, are revealed all the cracks of the human race, which, in a movement of globalization and neoliberalism more and more assertive, can lead the ordinary man to be a monster of cowardice, cruelty, indifference or hypocrisy. Poor bastards from an odd angle, transcribe reality provocatively or not, always with the same ambition: to react.

In the Parisian suburbs, a group of adolescents wander, looking for a rave party. The city’s peripheral architecture goes by like the setting of a retro futuristic adventure gone wrong; the governmental utopia of the housing estates, the laminated dream of the Euro Disney Park, the playgrounds and sports areas now used as spaces for getting high. The Parisian suburbs are thus revealed like the theatre of a failed political project, which has only intensified the differences between the deprived neighbourhoods and the city centre. However, the youth filmed by Manon Vila is not defeated.

As a rowdy team of detectives clashes with their disciplined new boss, they must catch a vicious band of robbers who are wreaking havoc on their city.

After witnessing her parents’ murder as a child in Bogota, Cataleya Restrepo grows up to be a stone-cold assassin. She works for her uncle as a hitman by day, but her personal time is spent engaging in vigilante murders that she hopes will lead her to her ultimate target: the mobster responsible for her parents' death.

Jérôme and Cédric play basketball in the same team at school and are best friends. Jérôme also gives Cédric some private math lessons. During one of those sessions, Cédric's action will be interpreted by both young men in a different way.