Peter Bennett-Jones

Mr. Bean wins a trip to Cannes where he unwittingly separates a young boy from his father and must help the two reunite. On the way he discovers France, bicycling and true love, among other things.

The fictional world of Royston Vasey is facing apocalypse and the only way to avert disaster is for our nightmarish cast of characters to find a way into the real world and confront their creators. From present day Soho to the fictional film world of 17th Century Britain, the residents must overcome countless bizarre obstacles in their bid to return Royston Vasey to safety.

What was a cunning plan from Lord Edmund Blackadder V to fake a time machine on his gullibly incompetent friends, turns out to be the real thing and hurls him and his imbecile underling, Baldrick, through the course of human history.

Childlike Englishman, Mr. Bean, is an incompetent watchman at the Royal National Gallery. After the museum's board of directors' attempt to have him fired is blocked by the chairman, who has taken a liking to Bean, they send him to Los Angeles to act as their ambassador for the unveiling of a historic painting to humiliate him. Fooled, Mr. Bean must now successfully unveil the painting or risk his and a hapless Los Angeles curator's termination.

Rowan Atkinson and Angus Deayton in Boston doing a live performance of the same styles of humor we've seen in Mr. Bean and Blackadder. Included are lessons on Shakespearean acting, a school headmaster meeting with the father of a boy he's beaten to death, and tips for having a successful date.

Mr. Bean realizes he doesn't know the answers to his exam paper and tries desperately to copy from the man seating next to him.

Mr. Bean arrives at a movie premiere attended by a royal guest. Unfortunately, he finds that his breath smells, his nails and teeth are dirty and his shoes are grubby. He manages to rectify these by using his customary inventiveness.