Torben Schioler

Movies

Travel Log
Editor
This short, experimental road movie is a study in mystery and atmosphere. Juxtaposing photographs on the screen with a woman's words, the film tells the story of a couple who drifts apart, of a journey with no return. Introspective and haunting, this mood piece is a travel album about intimacy and dispossession.
High Grass Circus
Director
This feature-length documentary offers an inside look into the workings of a travelling circus. Filmed in 1976, directors Tony Ianzelo and Torben Schioler followed the Royal Brothers' Circus as they set up their tents and put on their show. Fascinating to watch, the film captures the 24-hour-a-day brand of magic that the circus evokes while revealing the nature of the people who run it.
Cold Journey
Editor
In this feature drama, a Canadian Indigenous youth attempts to find a place for himself. He faces culture shock as the educational system teaches him to be a white man and tries to find a way of life more meaningful to his Indigenous culture and ancestry.
The New Alchemists
Editor
This short documentary profiles a community engaged in developing sustainable living methods, including food production and small-scale solar and wind technology, on a farm in Massachusetts in the 1970s. Well before sustainability was a mainstream concern, these prescient innovators attempted to create a vision of a greener, kinder world. "Think small," say the New Alchemists. "Look what thinking big has done."
Don't Knock the Ox
Editor
The International Ox Pull, highlight of the Bridgewater, Nova Scotia, annual fair, is a holdover from the pioneer past when oxen cleared the land and tilled the soil. These beasts of burden have lost none of their pulling power, as demonstrated when they drag tons of weight loaded on sleds (the winner pulls up to 6 tons!). Competing teams come from various parts of the Maritimes and the Northeastern United States.
Sad Song of Yellow Skin
Editor
A film about the people of Saigon told through the experiences of three young American journalists who, in 1970, explored the consequences of war and of the American presence in Vietnam. It is not a film about the Vietnam War, but about the people who lived on the fringe of battle. The views of the city are arresting, but away from the shrines and the open-air markets lies another city, swollen with refugees and war orphans, where every inch of habitable space is coveted. (NFB)