Alain Lenglet

Alain Lenglet

Birth : 1954-12-26, Suresnes, Hauts-de-Seine, France

Profile

Alain Lenglet

Movies

De Gaulle
Le général Maxime Weygand
Paris, June 1940. The de Gaulle couple is confronted with the military and political collapse of France. Charles de Gaulle joins London while Yvonne, his wife, finds herself with her three children on the road of the exodus.
In Safe Hands
Rémy
Théo is given up for adoption by his biological mother on the very day he is born. After this anonymous birth, the mother has two months to change her mind… Or not. The child welfare services and adoption service spring into action… The former have to take care of the baby and support it during this limbo-like time, this period of uncertainty, while the latter must find a woman to become his adoptive mother. She is called Alice, and she has spent the last ten years fighting to have a child.
La Comédie-Française: Cyrano de Bergerac
Lignière
Cyrano has a prominent nose but also a gift with words by which he helps handsome Christian to conquer Roxane. Also in love with the girl he chooses not to reveal to her that every word of Christian comes out of his own heart. In cinema, this ROSTAND classic filmed live from the Comédie Française.
Dom Juan & Sganarelle
Le père
Woman hero Dom Juan lives a life full of excesses and love affairs. When he seduces the nun Elvire, but shows no interest in her a short time later, he gets to deal with her vengeful brothers. Dom Juan and his assistant Sganarelle have to flee and set out on a journey full of strange encounters.
The Screen Illusion
Pridamant
In this contemporary adaptation of Pierre Corneille’s brilliant, eponymous 17th century play, the enigmatic Alcandre is now a hotel concierge who uses the myriad in-house high-tech security cameras to show worried father Pridamant the whereabouts and travails of his son, Clindor. As Pridamant witnesses the conflicting romances involving his estranged son, Corneille’s modernist meta-narrative is transposed to contemporary Paris, underscoring the ambiguous nature of love, wealth and desire in an age of consumerism. (Chicago International Film Festival)