Art Direction
Set near the turn of the 18th-century in China, thirteen women train to become nuns after they are ravaged by bandits. A mastery of kung fu is required before the women finish their training and after they leave the temple the nuns head out for chop-socky 3-D action.
Art Direction
3 felons facing the death penalty, escape the night before they are due to be executed and plot their revenge on the people that put them there.Prepare for the hardest hitting martial art action that never stops.
Art Direction
A journalist meets three girls with the same appearance but different identities. Finally, it turns out that these girls are the same person. Why does she use different identities? As the journalist tries to get the answer, he falls into the labyrinth of love.
Art Direction
Taiwanese romance film.
Art Direction
Peigang, his family's only son for three generations running, is to be executed on account of larceny, but not without the intervention of his grandmother.
Set Designer
The Golden Blade should be kept in the hands of a good person; if it fell into the wrong hands the outcome would be terrible. Evil Black Bat asked for the sword, but the sword smith refused the demand. The prentice hid the sword while his master got slaughtered by Black Bat and before his death asked his prentice to give the sword to Ting Yeh the son of Ting Hsiang Ren. Black Bat slaughters Ting Hsiang Ren and his family, while Ting Yeh was absent. Upon return to home, Ting Yeh finds out the tragic destiny of his parents. After recovering The Golden Blade he seeks vengeance.
Art Direction
When the children of an executed General are pursued in 1457 China, some heroic martial arts swordsmen intervene.
Art Direction
A drug smuggling ring is suspected of operating out of a posh Hong Kong nightclub called The Black Widow, where the sultry songbird Chiang Feng is the star attraction.
Art Direction
An orphaned girl in a poverty-stricken neighborhood is adopted by a kindly neighbor. He struggles to support her honestly, despite opportunities to participate in a neighbor’s scurrilous get-rich-quick schemes. Invoking the pain of Chinese exiles living in Taiwan, or missing relatives still in China, the touching film posits an in-between historical period during which it is crucial for displaced residents to maintain virtue as a bedrock of identity.
