Laura Kansy

Movies

Liebe Viele
Director of Photography
The film portraits people and their ways of living away from traditional monogamy.
STRANGERS
Cinematography
our strangers enter into a dialogue and draw an intimate portrait of society in turbulent times. The rural worker Jiaul, the Bihari brahmin Ram, the homeless drug-dealer Manoj and the young student Tashi live in the same city of Kolkata, but in different worlds. The film tried to find out a few answers - What beliefs rule their everyday lives? How are they affected by the sudden demonetisation? What makes them strangers? And how do people – whose paths would never cross in real life – interact in a cinematic space, where as many signs of their belonging as possible have been ‘stripped off’ and they encounter one another for the first time?
STRANGERS
Director
our strangers enter into a dialogue and draw an intimate portrait of society in turbulent times. The rural worker Jiaul, the Bihari brahmin Ram, the homeless drug-dealer Manoj and the young student Tashi live in the same city of Kolkata, but in different worlds. The film tried to find out a few answers - What beliefs rule their everyday lives? How are they affected by the sudden demonetisation? What makes them strangers? And how do people – whose paths would never cross in real life – interact in a cinematic space, where as many signs of their belonging as possible have been ‘stripped off’ and they encounter one another for the first time?
Dinky Sinky
Director of Photography
Frida wants a baby. But although she forces her boyfriend to follow a strict fertilization regimen, she’s not getting pregnant. Just when she’s about to resort to artificial means, her boyfriend dumps her. Suddenly, she’s missing the most important pregnancy ingredient – the father. But Frida will stop at nothing to get her baby.