Writer
A scientist finds the secret that predispose to the formation of the ideal couple. With this new alchemy, he achieves a pioneering experience: the creation of a perfect androgynous.
Nicolas Atlante
A scientist finds the secret that predispose to the formation of the ideal couple. With this new alchemy, he achieves a pioneering experience: the creation of a perfect androgynous.
Original Music Composer
In October of 2016 the battle for Mosul, the Islamic State's self-proclaimed capital in northern Iraq, began. With unprecedented access, Bernard-Henri Lévy and his team follow the Kurdish units and the Iraqi special Golden Division. From street to street, they fight together to regain this city of two million inhabitants. Though successful, the hopes of the Kurdish fighters might not always align with those of their allies.
Original Music Composer
From July to December 2015, with a camera team in tow, Bernard-Henri Lévy journeyed 1,000 km along the frontline separating Iraqi Kurdistan from Islamic State troops. The journey resulted in an illustrated logbook offering a special insight into an unfinished war with a global impact. Alongside the Peshmergas – Kurdish fighters imbued with a spirit of unfailing determination in their fight against obscurantism and jihadism, the film takes us from the heights of Mosul to the heart of the Sinjar mountains, passing the last Christian monasteries threatened with destruction along the way. A tale peopled by real characters, men and women whose faces are rarely seen...
Music
In Deep Inside, Camille Henrot's first film, a pornographic film is transformed into a voyeuristic, lovelorn ballad. Drawn frame by frame on the 35mm film stock of a 70s pornographic film, the sexual content is partially revealed and partially hidden by black animated forms that seem to be fugitive memories of an old love. The music is slow and harrowing like a howl for love. The artist works with marker as one might use a stencil, revealing part of the original film in the drawing's negative space. By combining pornographic and sentimental expression, the film posits that emotional misery is also physical. Sexual excitation and heartache are both based on an alternation of empty and full, presence and absence, hidden and revealed things. This manipulated film creates ambiguous images where scopophilia is no longer based on tactile frustration.
