Piotr Łazarkiewicz

A period film, set in 19th century China in the Polish community who are there building the railway. A woman enters into an extramarital affair with a painter.

Twenty years old prostitute and drug addict, Jola, by chance meets Andrzej, a "railway station gay". They try to stay together, in spite of numerous diffculties. They both are carriers of the HIV virus. At the end of their travels they find themselves in the Red Palace - formerly the recreation centre for Party dignitaries, now a home for AIDS sufferers - which is run by father Jan. In the nearby small town aggression begins to grow again the unwanted guests; the house have been promised to the local people for housing purposes... The lives and fates of Jola, Andrzej, and father Jan become increasingly intertwined with one another...

Twenty years old prostitute and drug addict, Jola, by chance meets Andrzej, a "railway station gay". They try to stay together, in spite of numerous diffculties. They both are carriers of the HIV virus. At the end of their travels they find themselves in the Red Palace - formerly the recreation centre for Party dignitaries, now a home for AIDS sufferers - which is run by father Jan. In the nearby small town aggression begins to grow again the unwanted guests; the house have been promised to the local people for housing purposes... The lives and fates of Jola, Andrzej, and father Jan become increasingly intertwined with one another...

Twenty years old prostitute and drug addict, Jola, by chance meets Andrzej, a "railway station gay". They try to stay together, in spite of numerous diffculties. They both are carriers of the HIV virus. At the end of their travels they find themselves in the Red Palace - formerly the recreation centre for Party dignitaries, now a home for AIDS sufferers - which is run by father Jan. In the nearby small town aggression begins to grow again the unwanted guests; the house have been promised to the local people for housing purposes... The lives and fates of Jola, Andrzej, and father Jan become increasingly intertwined with one another...

Hilda and Augusta - mother and daughter - live in a nursing homei. Daughter feels Pole, and mother - German. Thus they are not liked by surrounding people. Augusta decides to return home after many years. But it is not so easy...

As high school students put on a politically-engaged school play, tensions begin to rise between them and their headmaster. The conflict seems to mirror the social situation in the 1980s Poland.

The manager of a small provincial cinema finds her lost son, and he tries to save the movie theater.

The manager of a small provincial cinema finds her lost son, and he tries to save the movie theater.

The manager of a small provincial cinema finds her lost son, and he tries to save the movie theater.

At the end of the 1980s, high school students watch fragments of a congress of the Union of Polish Artists and Designers that took place in 1949. During the congress, socialist realism and pictures representing the imposed aesthetics were proclaimed. Viewers will learn about the attitude of young people to the communist system and the art of those times.

At the end of the 1980s, high school students watch fragments of a congress of the Union of Polish Artists and Designers that took place in 1949. During the congress, socialist realism and pictures representing the imposed aesthetics were proclaimed. Viewers will learn about the attitude of young people to the communist system and the art of those times.

Irena, a postal delivery worker, is struggling with inadequate housing, a drunk neighbor who wants to take her place, and a heartless boss, knowing that the whole day at work, she is leaving her young son. But the worst is the loneliness, exacerbated by her single mother status. She meets a crippled pensioner Jacek, who appears to be the key to her happiness, but tragedy continues to strike.