Patricio Escobar

Movies

Bufones de la risastencia
Producer
On carnival night, a coven of Jesters emerges from the shadows. They come to make you uncomfortable, to cause chaos, to turn the world upside down. They come to show you the beauty that hides the ugly, and the ugliness that nests in what you accept as beautiful. Their weapons are laughter, satire, the grotesque, sarcasm... They come to wake you up, to reveal what you are trying to hide, to question your ideal world, alone, so alone, to awaken consciences. And when you think that the carnival ended, in the least expected moment, there, in front of you, as real as you, is the Jester laughing in your face.
Bufones de la risastencia
Sound
On carnival night, a coven of Jesters emerges from the shadows. They come to make you uncomfortable, to cause chaos, to turn the world upside down. They come to show you the beauty that hides the ugly, and the ugliness that nests in what you accept as beautiful. Their weapons are laughter, satire, the grotesque, sarcasm... They come to wake you up, to reveal what you are trying to hide, to question your ideal world, alone, so alone, to awaken consciences. And when you think that the carnival ended, in the least expected moment, there, in front of you, as real as you, is the Jester laughing in your face.
Bufones de la risastencia
Writer
On carnival night, a coven of Jesters emerges from the shadows. They come to make you uncomfortable, to cause chaos, to turn the world upside down. They come to show you the beauty that hides the ugly, and the ugliness that nests in what you accept as beautiful. Their weapons are laughter, satire, the grotesque, sarcasm... They come to wake you up, to reveal what you are trying to hide, to question your ideal world, alone, so alone, to awaken consciences. And when you think that the carnival ended, in the least expected moment, there, in front of you, as real as you, is the Jester laughing in your face.
Bufones de la risastencia
Director
On carnival night, a coven of Jesters emerges from the shadows. They come to make you uncomfortable, to cause chaos, to turn the world upside down. They come to show you the beauty that hides the ugly, and the ugliness that nests in what you accept as beautiful. Their weapons are laughter, satire, the grotesque, sarcasm... They come to wake you up, to reveal what you are trying to hide, to question your ideal world, alone, so alone, to awaken consciences. And when you think that the carnival ended, in the least expected moment, there, in front of you, as real as you, is the Jester laughing in your face.
Diciembre
Cinematography
December is a documentary that offers three points of view of the most important political, social and economic event of the 21st century: from above, from the street and from below. Three perspectives told in the first person by its protagonists.
Sonata en Si menor
Director
The Crisis Caused 2 New Deaths
Producer
What happened, really, on June 26th, 2002 at the Pueyrredón Bridge cut? How do the newsrooms of the main newspapers in the country work? Why didn't the media publish the photographic sequence after the repression? How far does journalists' responsibility go? Through these questions, the film reconstructs and analyzes the events that occurred in the Avellaneda Massacre, the government's political bosses, and the documentation of the information by the mainstream media.
The Crisis Caused 2 New Deaths
Screenplay
What happened, really, on June 26th, 2002 at the Pueyrredón Bridge cut? How do the newsrooms of the main newspapers in the country work? Why didn't the media publish the photographic sequence after the repression? How far does journalists' responsibility go? Through these questions, the film reconstructs and analyzes the events that occurred in the Avellaneda Massacre, the government's political bosses, and the documentation of the information by the mainstream media.
The Crisis Caused 2 New Deaths
Director
What happened, really, on June 26th, 2002 at the Pueyrredón Bridge cut? How do the newsrooms of the main newspapers in the country work? Why didn't the media publish the photographic sequence after the repression? How far does journalists' responsibility go? Through these questions, the film reconstructs and analyzes the events that occurred in the Avellaneda Massacre, the government's political bosses, and the documentation of the information by the mainstream media.