Manuel Pinto Barros

An adult movie director is recruited by a shady producer to finish the latter's overambitious and over budget epic. Hijinks quickly ensue as he brings his peculiar style and even more peculiar team along to the very serious production.

A political musical film about a Pink Jacket that always has something up its sleeve. In the comfort of its home, Pink Jacket uses couture and torture to stitch up the opponents of the system. Mónica Santos has already won twice the Audience Award at Curtas with “Between the Shadows” (2018) and “Amélia & Duarte” (2015).

An adaptation of the short story with the same name by Portuguese writer Teófilo de Braga.

Since childhood, Isabel remembers her mother's recurring request: to be cremated. And now that the day has come, with her husband Daniel at her side, it is the mother's voice that she hears, which surprises her because the mother is there, in the urn, about to be cremated, as she always wanted. And since then, she has been making herself heard, accompanied by a letter left in her will, with precise instructions, which, being drastic, may end Isabel's marriage.

Jaime, an introverted young man, suffers from the humiliations his schoolmates inflict on him. The father, director of the school, distant and of absolute power, treats him with indifference. With the support of his mother, Jaime finds in a painting, a boy with a drum in front of the troops in battle, the inspiration and the example of courage that will transform him into an unlikely hero in the fight against oppression.

The recollections of a Portuguese teacher in the present will make us follow his father, Manuel, former fighter in our colonial war and constantly tormented with those memories. He'll walk us through the depths of the physical sites that haunt him - from training barracks to the lakes and gardens of his youth and infatuation - and also to his memory's gulf - war and passion combined, entangled, in a battle that questions or howls immemorial existential doubts.

Roberto, a retired and disappointed journalist, leaves his work in a farm and goes back to his hometown, Braga, which he thinks will be his last hiding place. However, in returning, he feels a strong energy in the city and between journeys to the past and an intense night life, a new chapter arises.

Quick cutting provides the speed in this tribute to two wheeled transport.

Natália, trapped in a tedious routine, leaves in search of a stolen heart. In a surreal world where hearts are the common currency, she endures several perils, in order to decide if she wants to give her heart up or keep it for herself.

Hundreds of children and men walk, aligned, through the roads and trails of São Miguel Island, in Azores, a sacred place where nature and faith come together. They pray for them, for their family and for anyone that meet them on the road. Over one week and 300 km, it's a journey of tears, joy and sharing, during a tradition that started 500 years ago.

There are very few icons in Argentine culture capable of appealing to both popular and elitist tastes. Leonardo Favio was undoubtedly one of them. An unseasonable Peronist attached to the liturgy of his land, the director, born in the province of Mendoza, was and artist at every craft. a Renassaince man, but above all, a filmmaker. This is how "Favio: Chronicle of a Director" recaptures him, as a man of film who fed from radio, acting, music and painting in order to build up the handful of rhapsodies with which he adorned argentinean cinematography

In this story we are guided through the relationship of Amelia and Duarte, two people that felt out of love and are trying to cope with the feelings that come after a relationship has ended.

The story of a young cinephile, who, coming from Braga, arrives in Lisbon, where he found a peculiar and fleeting job. Between the dark movie theatres, a girl and friends, the portrait of a certain era and of a young man like many, kind of lost, kind of uninterested.