It’s the early 1950s and little Franzi is growing up in the small Austrian town of Judenburg. Her oppressive family home is dominated by her feverish and mentally ill father, who is rigid and unpredictable. Her father, who regularly delivers halves of pork for the butcher, spent several years in the French Foreign Legion in Morocco, Algeria and Syria – a period which he partly glorifies but which still also haunts him. Franzi immerses herself in this world by looking at an abundance of beguiling yet disturbing photographs taken at the time by her father. Her own childish fantasy realm of fairy tales and picture books soon intermingle with nightmares as reality merges with imagination, war, horror and beauty.
Emily is sent to work and live in the Sovereign's castle. She manages to escape into the woods, where she meets some lively hookers. Together they become «Robber Girls» taking a stand and fighting the patriarchy.
Ronnie lives in a small sleepy village and is the owner of a small company for deep-frozen goods. Daydreams, contact ads, the firemen's brassband, the weekly visits at his shrink and his buddy Lars' cynical remarks about air guitar and vinyl-records are the highlights of Ronnie's life. Already, as a kid, he suffered from being under the pressure of his power- and manhood-fixed mother. Ronnie's feelings are as deep-frozen as his goods. Until the day, a wonderful being - one of the female kind - strands in the village. The local priest hires the young girl, a groupie with the name of Zoya, as housekeeper and within days, Zoya turns the whole manship of the village mad and horny. Also Ronnie falls for Zoya and, well yes, lucky for once, marries her. However, since the presence of Zoya, strange things have happened in the village. Everybody who tries to search in Zoya's unkown past dies, disappears. Slowly that well-known fear sneaks into Ronnie's body: men's fear of women.
Luxembourg is a small country in the heart of Europe. It's a multi-cultural society, foreigners representing almost 40% of its population. It's famous for its forward-thinking social policies and - especially - for its financial services. It used to be known for its steel industry and it still boasts one of the most important media groups in the world. But it's certainly not known either for soccer or unemployment. So this is 'Revanche's' recipe: take Luxembourg's unemployed. Put them in business suits. Encourage them to create an international football club which begins to win all its matches. Into this strange mix, throw in a bunch of international criminals, and a bevy of glamorous Eastern European dream creatures all looking for husbands, fame and fortune. The result is a delicious humanist fable, a comedy in which love conquers money.
The title of the film, set in Luxembourg in 1942, during the Nazi occupation, amalgamates the words Schacko (helmet) and chapeau claque (opera hat). The village, in which it is set, has not yet been feeling the effects of the war at this point.
