Carlos
Surrounded by social and political chaos in Lima during the summer of 1992, Lucia, Aurora, and their mother, Elena, plan to leave and seek opportunities in the United States. Their farewell involves reconnecting with their estranged father, Carlos, adding turbulence to the regrets, hopes, and fears of their emotional departure.
A current of thought unites the three episodes in a coherent way, embodied with few elements, and that makes of space, time, and movement, purely cinematographic modes of expression. Voice is not needed. Yes there are sounds, music, but not human voices, as in primitive cinema. There are faces, slow or fast movements, despair, fatality, a barely glimpsed horror, desire and fear of freedom. There is also love, perhaps as an illusion, rather than as a reality.
Short by Luis F. Vallejos
Francisco Castro
The remains of a male body that disappeared during the years of political violence have been exhumed, but nobody claims them. Now the only clue to his identify is the picture of a smiling girl found in his shirt pocket. Only a blurred photograph, a snapshot of a time and a memory…
Jorge
A small circus has announced they are selling due to low concurrence now Jorge a clown that growed in the circus will fight so his home isn't closed down.
