Production Design
The film is based on the life of Marina Tsvetaeva, one of the most tragic and greatest poets of the 20th century. The authors follow her in Russia, then in immigration in Prague and Paris, and then her return to Russia where she committed a suicide a few month after her arrival.
Production Design
Brothers Stas and Kostya find themselves in 2506 as the prisoners of Space Prison then get in touch with the unusual people of the future to play a strange game with them. Later, they are captured by the fantastic sphinx Shidla who guards them from various dangers. Further, the brothers keep moving in their time machine and their next stop is Ancient Egypt.
Production Design
In the beginning of a new century the capital of Russia is just amazing and full of poets, beautiful women and arts...
Production Design
Four old friends are experiencing various troubles adapting to the new times in modern Russia.
Production Design
Russian countess in 1893 has strange dreams about herself living a life as a dishwasher in 1993' Moscow after dissolution of the USSR.
Production Designer
Production Design
This is a Democratic People’s Republic of Korea and Union of Soviet Socialist Republics co-production. This film is set during World War II, and is about a female Russian soldier named Masha. She is on a mission to discover a secret Japanese base in Korea. Everybody who accompanies her on the mission shortly dies, and she’s forced to stay with a local fisherman. She is trying to get the information about the base location back to the Russian army, because if she doesn’t, the Japanese will unleash the “Sakura Plan”, which is an all-out biological warfare assualt on the world.
Production Design
Production Design
Leaving the seaside town at the end of the Great Patriotic War, the SS men hid lists of secret agents. A few years later, Sam Page, a former fascist mercenary Semyon Paygin, and two other agents come to the USSR in order to search for the archive. After all, the crimes of SS agents have no statute of limitations.
