Aliye Uzunatağan

Elif Ana is a wise woman who foresaw the future. Even when he was a child, he ran away from home and lived in the mountains and caves for days. In Alevism, "maternal-grandfatherhood" is transferred by blood ties, but Elif Ana is a person who has taken the title of "maternity" even though she is not from her family tree. He is someone who does good to everyone throughout his life. So much so that he is called the good angel around him. He runs to Elif Ana, who is in trouble, has a disease, is in trouble, and has no children. Elif Ana also heals them. However, this woman who does good to everyone sees the worst evil in the world at the end of her life.

Sinan (Mert Firat) and Olcay (Acelya Devrim Yilhan) are two young people who have broken up with their lovers and lost their faith in love. After they have found each other, they start all over again. However, things get complicated when Sinan's ex-fiance shows up and Olcay starts to act strange.

Onların da aşkı masallar gibiydi ve evlendiler. Yani masallara göre sona geldiler… Adem'le Didem birbirlerini hala sevmektedirler. Ama evlilik, Adem'in sevgisini ve ilgisini açığa çıkartma reflekslerini köreltmiştir. Didem ise özgüveni ve özgür iradesi elinden alınmış mutsuz bir kadına dönüşmüştür. Tek tutunduğu onu yeniden hayata döndürecek işidir. Adem'i hala çok seviyordur. Kocasının peşinden ailesini, dostlarını, kariyerini bırakarak daha önce sadece haritalarda gördüğü şehirlere bile yerleşmekte tereddüt etmeyen Didem, şimdi aynı fedakarlığı Adem'den bekler. İşte tam bu sırada başka bir masalın prensi hikayemize girer. Artık uyanma vakti gelmiştir…

Tarik Akan plays a man who attempts to get revenge for the rape of his fiancee.

Kadir, a retired gangster finds a troubled young woman on the road and takes her home for help. Soon they fall in love, but her past endangers their future.

Hasan, an engineer who returned to the village from America after years with his child, young and beautiful wife, wants to establish a dairy factory to save the peasant who exploited Salih Aga from poverty. The villagers get money for this job.

A depiction of social satire, Talihli Amele [The Lucky Worker] (1980) shows the transformation of a young man who immigrated to Istanbul to provide a better life for his family. With hopes to become a successful mason, he suddenly finds himself the star of a TV commercial. Drawing attention to the rising consumerism culture and its effects on individuals in Turkey, the film was allowed to be shown with a State Council verdict.

The story of two hostile families.

Saban, Ramazan and Bayram are sailors in an Ottoman Navy and Hüsamettin is their commander. Hüsamettin's aide Ramazan, Saban who is foster son of Hüsamettin's sister and Bayram who is married to Hüsamettin's niece stays at Hüsamettin's family residence. Hüsamettin's sister thinks Ramazan is her foster son Saban when she realizes her mistake she introduces Ramazan to her brother as her son in law Bayram since she was afraid of Hüsamettin's short-tempered character. Things get complicated when real Saban and Bayram come to the residence. Now Saban has to be Ramazan and Bayram has to be Saban. Meanwhile, a gulyabani (a ghoul from Turkish folklore) haunts the residence.

Late 19th century in Alexandria. Two traditionally rival Turkish families, "Seferoglu"s and "Tellioglu"s are competing for the "Green Valley". The winner will be determined by Daver Bey, who has a beautiful young daughter, Leyla. Both families try to arrange a marriage between a man from their family and Leyla, so that Daver Bey will be inclined to give the green valley to his "relatives". Tellioglus, who are behind in the race, desperately find a final solution: They will fake their idiotic butler, Saban, as the highest ranked Ottoman soldier in Egypt: Tosun Pasha.

Turkish Pollyanna's story.