Director of Photography
A hangman questions the moral implications of his job after learning that he executed an innocent man.
Director of Photography
This intimately-constructed drama traces the consequences of the tumultuous political and social changes that swept through India in the years since pre-Independence 1937.
Director of Photography
Thommy is the loyal servant of Bhaskara Pattelar, a ruthless tyrant. He struggles between obedience and morality.
Director of Photography
The film focuses on the prison life of Vaikom Muhammad Basheer and the love between him and Narayani, a female inmate of the prison, who remains unseen throughout the film.
Director of Photography
A young man narrates two conflicting accounts of his life, changing the details and incidents in both, as he slowly approaches madness.
Director of Photography
The film starts in the early 1950s showing Sreedharan, the protagonist, as a very popular communist leader and trade union activist. He is forced to go underground after his name was associated with the murder of the owner of a tile factory. He is considered to be dead by his party and they even erect a memorial for him. But he makes an unexpected comeback almost 10 years later, after the first communist ministry gained and lost power in Kerala and after the Communist Party of India has split. On his return, he spends his time sleeping and drinking. His come back is first a puzzle and then an embarrassment to his comrades and family. As the disappointment on his new face grows, he is found murdered. The film ends when both the communist parties jointly celebrate his martyrdom.
Cinematography
Nokkukuthi is a 1983 Indian Malayalam film, directed by Mankada Ravi Varma and produced by P. P. Kunjahammad. The film stars Ajitha Gopalakrishnan, K. V. Haridas, Sameera and Sethu in lead roles
Director
Nokkukuthi is a 1983 Indian Malayalam film, directed by Mankada Ravi Varma and produced by P. P. Kunjahammad. The film stars Ajitha Gopalakrishnan, K. V. Haridas, Sameera and Sethu in lead roles
Director of Photography
Unni is the last male heir of a decaying feudal family in rural Kerala. His inability to accept the socio-economic changes of a new society causes him to gradually withdraw into isolation and paranoia.
Director of Photography
Sankarankutty, a village simpleton, lives a carefree life, indulges in childish pursuits, lives off the money given to him by his sister (working elsewhere as a servant), and eats quite voraciously. Then one day he gets married, but the wife is frustrated by his aimless lifestyle & irresponsible attitude (even after she gets pregnant). So she goes back to her parents. Meanwhile, his sister who is now living with her lover, can no longer provide for him, and a kind widow who used to care for him passes away. He has nowhere & nobody to fall back on, and from this point on, as he starts a job as assistant to a lorry driver, he starts looking at life in a whole new way and begins to mature as well.
Director of Photography
The story espouses the evils of drink, Parvathi (Lakshmi) is a happy girl just married to a very loving husband, Karuppan(Sreekanth). With kind parents-in-law and a doting husband, her life is blissful. Soon, she is blessed with a child. Karuppan wants to increase his earnings and decides to buy a cart, though Parvathi is unwilling, asserting it is happier to be contented with what they have. However Karuppan takes a loan from a money lender and buys a cart. Initially, everything looks rosy. But Karuppan happens to cross the toddy shops on his way home.
Director of Photography
Vishwam and Sita, who resist the opposition from their families, elope and marry. The unemployed couple begin a happier married life, but soon land in a sea of perils without a source of income.
Director of Photography
Baputty goes to his friend Abdu's house after his death to support his family and falls for Nabeesa, Abdu's sister. However, Nabeesa's greedy mother tries to get her close to the rich Kunjali.