Judith Nora

In a youth correctional facility, Joe is preparing his return to society. But William’s arrival turns his desire for freedom into desire of another kind. Behind fences and cell walls, passions begin to play havoc with the need for liberty.

Rose, 78-year-old, has just lost her beloved husband. When her grief gives way to a powerful impulse to live her life, making her realize that she can still redefine herself as a woman, the whole balance of the family is upset.

In the heart of Istanbul's prison, Zakir controls the letters prisoners receive. His average day is spent between the censorship office, his colleagues and his evening writing class. For a writing assignment, he steals a photo from one of the letters, in which appears Selma, an inmate's wife. More than an inspiration, she becomes an obsession for Zakir. He observes her, makes up stories, and imagines the worst to the extent that he puts himself at great risk.

Observing in close up the students of the Opéra National de Paris' dance school, who day after day build their future as dancers, Clémence Poésy offers a novel gaze that leaves the bodies at work off screen. By capturing the intimacy of faces, she reveals some of the mystery of the quest to which this apprenticeship is devoted.

In the summer, 27 year-old Sam drives towards the south of France in his Ford. He meets Matthieu and his sister Léa and takes them along in his apparently aimless journey. Matthieu has a crush on Sam and tries to seduce him. Léa is a beautiful, young, provocative girl who likes men so much that she got pregnant. She soon brings along Jérémie with them. Throughout the trip, they learn to know, fight and love each other. In spite of a blooming relationship with Matthieu, Sam isolates himself because of his secret: he is headed for Spain to find his long-lost mother.

A transgender woman attempts to rehabilitate her younger, drug-addicted boyfriend while also dealing with her ne’er-do-well son, a solider who’s gone AWOL.