Preziosilla
Verdi's sweepingly ambitious opera on war, religion, love and fate is given a cinematic staging by Christof Loy. The Marquis of Calatrava forbids his daughter Leonora to marry the South American nobleman Don Alvaro. The lovers attempt to elope, but the Marquis catches them. In the ensuing altercation, Alvaro accidentally kills the Marquis, who curses his daughter as he dies. Leonora and Alvaro become separated during their escape. Leonora's brother Don Carlo di Vargas decides to find them and avenge his father.
Another love story that ends badly at the opera ... Leonor de Guzman may be a sublime woman, a woman of high rank, she may be the favorite of the king, but true love is forever forbidden. Experience the dramatic story of La Favorite, the most French of Italian operas, given to Maggio Musicale Fiorentino in its original French version.
AGAVE
The conflict between human rationality and emotional control, represented by the King of Thebes, Pentheus, and unbridled human passion, represented by the god Dionysus.
Sélika
Live performance from Teatro La Fenice, 29 Nov. 2013.
Cio-Cio-san's mother
Japan, early twentieth century. U.S. Navy Lieutenant B.F. Pinkerton inspects the house he has leased from a marriage broker. The broker, Goro, has procured him three servants and a geisha wife, Cio-Cio-San, known as Madama Butterfly. He is enchanted with the fragile Cio-Cio-San. Cio-Cio-San is heard in the distance joyously singing of her wedding. In a quiet moment, Cio-Cio-San shows her bridegroom her few earthly treasures and tells him of her intention to embrace his Christian faith. The Imperial Commissioner performs the wedding ceremony, and the guests toast the couple. The celebration is interrupted by Cio-Cio-San's uncle, a Buddhist priest, who bursts in, cursing the girl for having renounced her ancestors' religion. Alone with Cio-Cio-San in the moonlit garden, her husband dries her tears, and she joins him in singing of their love.
Carmen
From the Teatro dell'Opera di Roma Terme di Caracalla "Carmen" by Georges Bizet. Director Jesus Lopez-Cobos. Orchestra, Chorus and Corps de Ballet of the Teatro dell'Opera di Roma.
