Bruce Roberts

Movies

Shaft
Additional Second Assistant Director
JJ, aka John Shaft Jr., may be a cyber security expert with a degree from MIT, but to uncover the truth behind his best friend’s untimely death, he needs an education only his dad can provide. Absent throughout JJ’s youth, the legendary locked-and-loaded John Shaft agrees to help his progeny navigate Harlem’s heroin-infested underbelly.
Red Riding Hood
Original Music Composer
Teenage Claire would rather hang out with her friends at the mall than to stay home with her brother Matt while Grandma babysits. Who wouldn't? Unfortunately, Grandma isn't about to let Claire out of the house. Worse, she insists that Claire and Matt listen to her reworking of the Brothers Grimm classic tale "Little Red Riding Hood". Fortunately, Grandma has a sense of humor, and adds some modern twists. Claire imagines herself as Red, and her brother, parents and grandma as....her brother, parents and grandma.
Things Are Looking Up
Music
A group of high-school students deal with everyday life while attending JFK High School in Ventura, California.
Jinxed!
Original Music Composer
Harold, a professional gambler, and his girlfriend Bonita, a lounge singer, follow Willie, a young blackjack dealer, around the western U.S. Harold has a jinx on Willie and can't lose with him. Bonita and Willie meet and fall for each other and plot to do away with Harold and collect on his life insurance.
The Crazies
Original Music Composer
Citizens of a small town are infected by a biological weapon that causes its victims to become violently insane. As uninfected citizens struggle to survive, the military readies its own response.
Ammunition Smuggling on the Mexican Border: Incidents of the Mexican Revolution
Himself
Around the film hang fascinating questions about border politics, which I’ll touch on in an introduction before the screening. One of Eugene Buck’s motivations for making the film may have been his rough cross-examination during his kidnappers’ first trials, in October 1913, when defense attorneys cast him as a confused and unreliable witness against idealistic freedom fighters. On film he could reproduce the pursuit, the shootouts, his kidnapping, and his friend’s murder just as he had testified. Reenacting the crime on film may have been the best revenge—and a way to honor the sacrifice of Deputy Ortiz, a twenty-year police veteran and, for the era, a rare Mexican American lawman.