Perla Batalla

Movies

According to Leonard Cohen
This live concert was recorded at Sant Cugat del Vallès, Barcelona, in January 2007. The band: Kevin McCormick, Javier Mas, Charlie Cepeda, Raul Rodriguez, Jimmy Gonzalez, Álvaro Gandúl, Alex Bublitchi, Jabier Muguruza, Mireia Otzerinjauregi, Perla Batalla. Musical directors: Kevin McCormick and Javier Mas. Artistic director: Alberto Manzano.
Leonard Cohen: First We Take Austin
Vocals
AUSTIN CITY LIMITS University of Texas Campus, 31st October 1988 First We Take Manhattan Tower Of Song Everybody Knows Ain't No Cure For Love The Partisan Joan Of Arc Jazz Police It It Be Your Will Take This Waltz Leonard Cohen Live Rock P Special Color TV Broadcast 1979 So Long Marianne The Window Famous Blue Raincoat Passing Through Memories The Guests Suzanne
You Know My Name
Singer
In six months, the population of Cromwell, Oklahoma, has climbed from 500 to 10,000. Boom times have come to the oil-rich town. So has a new breed of criminal. You Know My Name is the fact-based story of Bill Tilghman, a lawman and former partner of Wyatt Earp confronted by an emerging era when outlaws run whiskey instead of cattle and are likely to tote a tommy gun as carry a six-gun. An ideally cast Sam Elliott plays Tilghman, whose life takes on a newfangled wrinkle of its own. Tilghman makes a moving picture of his Old West exploits; and the success of that silent film, The Passing of the Oklahoma Outlaws, spreads his reputation like a brushfire. But that reputation may mean nothing to a thug (Arliss Howard) who hides behind a badge.
Don't Touch Me
Music
Dozo dances and sings a song. Advanced motion capture, advanced facial CGI animation, first dancing CGI human animation. Designed as an art film to demonstrate in the technical development of virtual actors in its actual state, without references to stars in concerts.
Don't Touch Me
Dozo (Voice)
Dozo dances and sings a song. Advanced motion capture, advanced facial CGI animation, first dancing CGI human animation. Designed as an art film to demonstrate in the technical development of virtual actors in its actual state, without references to stars in concerts.