Lamar Johnstone

Tessa Doyle, an innocent country girl who has come to New York and joined a vaudeville sister act, becomes embroiled in a scheme to earn money at her partner Trixie Dennis' insistence.

Buck Duane guns down the man who killed his father and flees from the law. He rescues a girl he once loved from outlaws, but the wife of outlaw chief has her own designs on him.

In this western, William Farnum plays yet another Zane Grey character. Duane Steele (Farnum) is a Texas Ranger who is determined to get the outlaws out of his part of the Lone Star state for good.

Sheriff's son Royal Beaudry is thought a coward, even by the young woman he has his heart set on. But he disproves cowardice when he rescues his father's friend from kidnappers.

Sailor Jesse, shipwrecked off the Texas coast, naively becomes involved with a cattle rustler. Because the sheriff believes in his innocence, Jesse finds work as a cowboy, but soon becomes infatuated with Polly, the medium for fake hypnotist Bull Brooks, and marries her. When he learns that Polly married to win a bet, Jesse attempts to take her from the town's influences to open spaces, but Brooks falsely reports that she killed herself rather than go.

Directed by Wallace Worsley.

A girl nicknamed "The Weed" lives with her foster parents in their mountain cabin and frequently visits a nearby health resort to sell milk and eggs. On one of her excursions, she befriends a cantankerous old millionaire, George Bassett, who later bequeaths to her his entire estate. Ralph Long's car plunges down an embankment, and he is dragged from the wreckage and looked after by the Weed, who soon captivates him with her charm and ingenuousness. While he is in the hospital, however, the lecherous Kenneth Stewart snaps a photo of the girl swimming in the nude in a mountain pool and hangs an enlargement of it in his club.

After her romance with Martin Stuart shatters, Kathleen St. John leaves Montreal for the little village of Montrouge, where she plans to teach school. Kathleen loses her way between the station and the village and is attacked in the woods by the town bully, Louis Courteau. Seeing a pretty woman in distress, Bateese Latour, a warmhearted lumberjack whose drunken temper tantrums have earned him the sobriquet "That devil, Bateese," beats off her attacker. A short time later, Bateese falls in love with Kathleen, and promising to abandon his drinking, he carries her off and marries her.

Mildred Manning, known as Middy, is an apprentice in Madame Lizette's fashionable shop. Her beauty is discovered by Madame's brother, George Martin, and she is made a model. One afternoon, she tries on a rejected bathing suit and by adding a touch here and there, makes it into a beautiful creation. Madame then sends her to the beach to carry out a clever advertising scheme. At the shore, Middy is pursued by a reporter and photographer, who have been commissioned by Madame to photograph the girl for calendar advertising. In her flight from the publicity men, Mildred takes refuge in a car owned by lawyer Philip Gordon, who gets into the vehicle and drives off with Middy. Middy has him drop her off where she doesn't live, and he ends up having to try to track her down.

After the death of his mother, young Ben Blair finds a safe home on John Rankin’s ranch. But when Rankin is murdered, the older Ben sets out to seek vengeance.

An American adventure film serial comprised of fifteen episodes of two reels (24 min) each. All chapters are presumed lost.

A woman with a notorious past enchants a student preparing for the foreign service.

Robin Hood is a 1912 film made by Eclair Studios when it and many other early film studios in America's first motion picture industry were based in Fort Lee, New Jersey at the beginning of the 20th century. The movie's costumes feature enormous versions of the familiar hats of Robin and his merry men, and uses the unusual effect of momentarily superimposing images different animals over each character to emphasize their good or evil qualities. The film was directed by Étienne Arnaud and Herbert Blaché, and written by Eustace Hale Ball. A restored copy of the 30-minute film exists and was exhibited in 2006 at the Museum of Modern Art in New York City.