Edward Scholl

A biopic of Napoleon Bonaparte, tracing the Corsican's career from his schooldays (where a snowball fight is staged like a military campaign) to his flight from Corsica, through the French Revolution (where a real storm is intercut with a political storm) and the Terror, culminating in his triumphant invasion of Italy in 1797. Originally intended to be the first of six films, director Abel Gance realized the full project would be nigh impossible, and never raised the money to complete the other five. The film's legendary reputation is due to the astonishing range of techniques that Gance uses to tell his story, culminating in the final twenty-minute triptych sequence, which alternates widescreen panoramas with complex multiple- image montages projected simultaneously on three screens.

A wealthy young Southern aristocrat, Joseph, graduates from a seminary and, before he takes charge of his assigned parish, decides to go out and see what "the real world" is all about. He winds up in New Orleans and finds himself attracted to a poor, unsophisticated orphan girl, Bessie. One thing leads to another, and before long Bessie finds that she is pregnant with Joseph's child.

A young orphan girl, courted by an unpleasant older suitor who has a hold over her adoptive mother, falls in love with Fairfax, a young stranger at a party. A group of bootleggers try to get away with the loot stashed previously within Fairfax's mansion; Mysterious faces peer into the windows and shadowy figures stalk the hall. One of the bootleggers is killed and the young stranger becomes the prime suspect.

France, on the eve of the French Revolution. Henriette and Louise have been raised together as sisters. When the plague that takes their parents' lives causes Louise's blindness, they decide to travel to Paris in search of a cure, but they separate when a lustful aristocrat crosses their path.