Paraic Breathnach

Ireland, 1845 on the eve of The Great Hunger. Colmán Sharkey, a fisherman, a father, a husband, takes in a stranger at the behest of a local priest. Patsy, a former soldier in the Napoleonic wars arrives just ahead of 'the blight,' a disease that eventually wipes out the country's potato crop, contributing to the death and displacement of millions. As the crops rot in the fields, Colmán, his brother and Patsy travel to the English Landlord's house to request a stay on rent increases that Colmán predicts will destroy his community. His request falls deaf ears and Patsy's subsequent actions set Colmán on a path that will take him to the edge of survival, and sanity. It is only upon encountering an abandoned young girl that Colmán's resolve is lifted. Just in time for the darkness of his past to pay another visit.

Caitríona is dead and eagerly awaiting the death of her sister, Nell, so that the war between them in life can continue.

In the 1970s, a foundling lass, Patrick "Kitten" Braden, comes of age by leaving her Irish town for London, in part to look for her mother and in part because her transgender nature is beyond the town's understanding.

Ella lives in a magical world in which each child, at the moment of their birth, is given a virtuous "gift" from a fairy godmother. Ella's so-called gift, however, is obedience. This birthright proves itself to be quite the curse once Ella finds herself in the hands of several unscrupulous characters whom she quite literally cannot disobey. Determined to gain control of her life and decisions, Ella sets off on a journey to find her fairy godmother who she hopes will lift the curse. The path, however, isn't easy -- Ella must outwit a slew of unpleasant obstacles including ogres, giants, wicked stepsisters, elves and Prince Charmont's evil uncle, who wants to take over the crown and rule the kingdom.

The return of a vengeful ex-girlfriend sets into motion a series of gruesome events for a hapless Irish bachelor in director Robert Quinn's grim black comedy. Tommy (Andrew Scott) had thought he had seen the last of Jean (Katy Davis) after their recent breakup, but when she returns to stake her claim on Tommy's apartment, the confrontation that ensues makes their previous quarrels look petty by comparison. After leaving the apartment in the head of the fight to cool his head and gather his thoughts, he returns only to find that Jean has died and enlists the aid of his friend Noel (Darren Healy) in ditching the body and ensuring that no one ever finds out what happened.

Colm Mac Lára accidently stumbles upon a killing in a Parisian hotel and finds himself led into a dark underworld of professional assassins.

Sweety Barrett is a giant of a man with the mind of a child. An easy target in a corrupt world, Sweety becomes embroiled in a smuggling operation unleashing a spiral of dangerous and unexpected events.

Francie and Joe live the usual playful, fantasy filled childhoods of normal boys. However, with a violent, alcoholic father and a manic depressive, suicidal mother the pressure on Francie to grow up are immense. When Francie's world turns to madness, he tries to counter it with further insanity, with dire consequences.

Michael Collins plays a crucial role in the establishment of the Irish Free State in the 1920s, but becomes vilified by those hoping to create a completely independent Irish republic.

Reefer and the Model is a 1988 Irish film written and directed by Joe Comerford. It concerns Reefer, a former Irish Republican Army man who operates a ferry using an old trawler between the Galway coast and the Aran Islands; his friends Spider and Badger; and the pregnant Teresa ("the Model"), who has abandoned a life of drugs and prostitution in England. The group become involved in the armed robbery of a post office and are pursued by the Gardaí. The film premièred in Galway in August 1988. Reefer and the Model won the Europa Prize at the Barcelona Festival, and Best Feature at the Celtic Film Festival in Wales. At the 1988 European Film Awards, the film was nominated for Best Young Film, Carol Scanlan was nominated for Best Actress, and Ray McBride was nominated for Best Supporting Actor.