In April 2013, a lecturer at the University of New Hampshire submitted a paper to the Annals of Mathematics. Within weeks word spread: a little-known mathematician, with no permanent job, working in complete isolation, had made an important breakthrough toward solving the Twin Prime Conjecture. Yitang Zhang's techniques for bounding the gaps between primes soon led to rapid progress by the Polymath Group, and a further innovation by James Maynard.
Julia Robinson and Hilbert's Tenth Problem features a heroine driven by the quest to solve one of the central problems of modern mathematics. She rises above formidable obstacles to assume a leading role in her field. Julia Robinson was the first woman elected to the mathematical section of the National Academy of Sciences, and the first woman to become president of the American Mathematical Society. While tracing Robinson's contribution to the solution of Hilbert's tenth problem, the film illuminates how her work led to an unusual friendship between Russian and American colleagues at the height of the Cold War.
A love story for the 90s: Valery falls in love with an identical twin, a virtual reality scientist, and finds she can have a more intimate relationship with him through the computer screen than in person. Or is it really him?
Film becomes a metaphor for lost history and its “negative“ impact on successive generations who look for stability in an electronic world that lacks sufficient mediation. Video retrieves lost memories for the child who, through her camera, seeks to find her father.
Fact and fiction blur in this faux documentary about a lost woman, Lian, who is searching for her own identity. Lian is manipulated by Dennis, a video editor. He captures surveillance footage of her and manipulates it in an attempt to manipulate and then possess her real life.
Fact and fiction blur in this faux documentary about a lost woman, Lian, who is searching for her own identity. Lian is manipulated by Dennis, a video editor. He captures surveillance footage of her and manipulates it in an attempt to manipulate and then possess her real life.
Illuminatin' Sweeney features interviews with the artist, as well as excerpts from his early image-processing experiments. Sweeney's credo — "to make tapes as satisfying to me as listening to music" — is explored in short pieces that use the Moog Vidium process, which improvises and abstracts images using musical feedback. The concluding footage of his father's funeral heralds the more personal documentary approach that characterized his work in the 1980s.
