Sacerdote
In the storm is a Mexican film of the year 1980 directed by Fernando Vallejo. The film is about the time of La Violencia in Colombia. Vallejo wanted to make the film in Colombia, however he found numerous obstacles to film it in the country so he decided to do it in Mexico with Mexican actors and recreating the Colombian landscapes in that country.
(as Francisco Ledezma)
Thriller directed by Arturo Ripstein.
Don Marcial
An outcast, Rodolfo Martínez, whom no one loves and whom everyone despises and undervalues in his town of Valle Verde, in Mexico, decides to change his luck. He decides to invent that he has a very important ancestor and that is why he deserves a statue that will remind future generations of everything he has done. Rodolfo doesn't care what happens, all he wants is to stop being a failure and for people to see him as an equal.
Doctor (uncredited)
In a music hall has committed a murder, the police will also find the murderer.
Antique shop asst. (uncredited)
A bizarre black comedy about a man whose overwhelming ambition in life is to be a renowned serial killer of women, and will stop at nothing to achieve it - but not everything goes according to plan...
Tendero (uncredited)
A useless and bloody vendetta has been going on for ages between two families in this Mexican village. Men, sons, have killed each other for generations, for a so-called conception of honor in a revenge that never ends since it is also triggered by people of the village. Now, today, there are only two sons left, one in each family. One has become a doctor in the big city and his culture is modern. The other last one - of the other family - hasn't left the village and is waiting for the doctor to come "home" as he plans to kill him, to settle this war on this matter of honor once and for all. And the people of the village want blood.
Vendedor de masa (uncredited)
Confronted with the unfortunate news that their favorite Streetcar, no. 133, is going to be decommissioned, two Municipal Transit workers get drunk and decide to "take 'er for one last spin," as it were. Unfortunately, the "one last spin" ends up being an all-night and all-day scramble to stay out of trouble, as they are confronted with situation after sometimes bizarre situation that prevents them from returning the "borrowed" Streetcar!
Cantinero (uncredited)
A tough young man, who helps to kick poor people out of their houses, falls in love with a girl. She lives with her father in the building about to be demolished.
Don Laureano, cantinero
In the drama, a father, firmly believing that the baby daughter in his arms is not his own, abandons her upon the doorstep of the town drunk. Many years pass, and the man finds himself continually wracked with guilt about deserting her.
Mexican romantic musical.
(uncredited)
On March 22, four days after returning to his home in Andalusia, Luis de Vargas writes the first of his letters to his uncle and favorite professor at the seminary. He reports that his father intends to fatten him up during his vacation, to have him ready to return in the fall to finish his training for the priesthood. He mentions in passing that his father is courting a twenty-year-old, attractive widow, Pepita Jiménez; his father is fifty-five years old. Pepita had been married for only a short time to an eighty-year-old moneylender named Gumersindo. Luis is not eager to see his father marry again, but he promises his uncle not to judge Pepita before he knows her.
