Director
Joys, sorrows and life's great tragicomedy in a video diary about motherhood and much more, recorded over nearly 20 years by award-winning British director Victoria Mapplebeck. A deeply personal and completely unsentimental film.
Director
Hand-washing, having disinfectant gel at the ready, keeping your distance, and feeling anxiety: they’ve all been familiar aspects of daily life since the start of the global pandemic. And as it did for most people, lockdown radically changed family life for director and multimedia artist Victoria Mapplebeck and her 17-year-old son Jim.
In 2017 I was diagnosed with breast cancer, I decided to film my time in waiting rooms, surgery and chemotherapy. Shot exclusively on the iPhone X, The Waiting Room is an unflinching portrait of the blood, sweat and tears of cancer treatment. At home I filmed with my teenage son, as we came to terms with how family life was transformed by a year of living with cancer. The Waiting Room challenges the cultural myths that surround this disease, putting under the microscope the language of illness. The Waiting Room documents illness from a patient’s POV, exploring what we can and what we can’t control when our bodies fail us. The Waiting Room 30 minute smartphone short was broadcast on The Guardian website as part of their documentaries strand.
Producer
In 2017 I was diagnosed with breast cancer, I decided to film my time in waiting rooms, surgery and chemotherapy. Shot exclusively on the iPhone X, The Waiting Room is an unflinching portrait of the blood, sweat and tears of cancer treatment. At home I filmed with my teenage son, as we came to terms with how family life was transformed by a year of living with cancer. The Waiting Room challenges the cultural myths that surround this disease, putting under the microscope the language of illness. The Waiting Room documents illness from a patient’s POV, exploring what we can and what we can’t control when our bodies fail us. The Waiting Room 30 minute smartphone short was broadcast on The Guardian website as part of their documentaries strand.
Screenplay
In 2017 I was diagnosed with breast cancer, I decided to film my time in waiting rooms, surgery and chemotherapy. Shot exclusively on the iPhone X, The Waiting Room is an unflinching portrait of the blood, sweat and tears of cancer treatment. At home I filmed with my teenage son, as we came to terms with how family life was transformed by a year of living with cancer. The Waiting Room challenges the cultural myths that surround this disease, putting under the microscope the language of illness. The Waiting Room documents illness from a patient’s POV, exploring what we can and what we can’t control when our bodies fail us. The Waiting Room 30 minute smartphone short was broadcast on The Guardian website as part of their documentaries strand.
Director
In 2017 I was diagnosed with breast cancer, I decided to film my time in waiting rooms, surgery and chemotherapy. Shot exclusively on the iPhone X, The Waiting Room is an unflinching portrait of the blood, sweat and tears of cancer treatment. At home I filmed with my teenage son, as we came to terms with how family life was transformed by a year of living with cancer. The Waiting Room challenges the cultural myths that surround this disease, putting under the microscope the language of illness. The Waiting Room documents illness from a patient’s POV, exploring what we can and what we can’t control when our bodies fail us. The Waiting Room 30 minute smartphone short was broadcast on The Guardian website as part of their documentaries strand.
Director
When a vintage Nokia is recharged, a compelling real life story is revealed. A story that unfolds in just 100 texts and tells the story of how two people, meet, date, break up and deal with an unplanned pregnancy. Shot entirely on an iPhone 6, 160 Characters uncovers the secrets and stories, buried in our mobiles both old and new.
