Gisela Tuchtenhagen

Birth : 1943-10-31,

Movies

Utbüxen kann keeneen
Director
Bingo, toletzt entscheed jümmers dat Glück
Director
Der Wirt, die Kneipe und das Fest
Director
Hansa-Theater Varieté
Director
Donnerstag Nachmittag - Treffpunkt Insel
Director
Ein kleiner Film für Bonn
Director of Photography
Documentary on the final days of the final days of the German government before its relocation to Berlin.
Ekmek Parasi – Geld fürs Brot
Editor
The vege­ta­bles come from the garden behind the house, the fish comes out of a can, and money for bread is earned at the factory. It’s because of this money that they came here. Women from Turkey stand side-by-side with women form Meck­len­burg at the conveyor belt of a fish-proces­sing factory in Lübeck. Their hands are stained brown, the pungent smell of fish clings to them, and their arms and backs ache. If these jobs were done by men, machines would have been invented long ago to replace them. But female labour is cheap and the women do not complain. They have learned to work – and therein lies the source of their pride. (Source: https://www.artechock.de/film/text/filminfo/g/ge/gefubr.htm)
Ekmek Parasi – Geld fürs Brot
Cinematography
The vege­ta­bles come from the garden behind the house, the fish comes out of a can, and money for bread is earned at the factory. It’s because of this money that they came here. Women from Turkey stand side-by-side with women form Meck­len­burg at the conveyor belt of a fish-proces­sing factory in Lübeck. Their hands are stained brown, the pungent smell of fish clings to them, and their arms and backs ache. If these jobs were done by men, machines would have been invented long ago to replace them. But female labour is cheap and the women do not complain. They have learned to work – and therein lies the source of their pride. (Source: https://www.artechock.de/film/text/filminfo/g/ge/gefubr.htm)
Komm tanz mit mir
Director of Photography
Documentary about the dancer and choreographer Trudi Schoop and her work with people with mental illness through her dance therapy.
Daughters of Two Worlds
Cinematography
Documentary film.
Barmbek: Der Aufstand wird abgebrochen
Editor
Short version of Wildenhahn's own 1971 three-part film "Der Hamburger Aufstand Oktober 1923".
Barmbek: Der Aufstand wird abgebrochen
Cinematography
Short version of Wildenhahn's own 1971 three-part film "Der Hamburger Aufstand Oktober 1923".
Heimkinder
Director
Documentary film by Gisela Tuchtenhagen
Heimkinder 1: Abgehauen, zurückgebracht, wieder entlaufen
Director
First part of Gisela Tuchtenhagen's Heimkinder film series.
Sing, Iris, sing. Frauen lernen Männerberufe
Director
Documentary about women in the workplace.
Im Norden das Meer. Im Westen der Fluss. Im Süden das Moor. Im Osten Vorurteile. Annäherungen an eine norddeutsche Provinz
Writer
Documentary by Klaus Wildenhahn.
Emden geht nach USA
Cinematography
A documentary about the economical crysis of the car industry in Germany, 1971.
Emden geht nach USA
Writer
A documentary about the economical crysis of the car industry in Germany, 1971.
Der Mann mit der roten Nelke
Editor
Behind the scenes look at the preparations for the last two editions of Dietmar Schönherr's Talkshow.
Der Mann mit der roten Nelke
Cinematography
Behind the scenes look at the preparations for the last two editions of Dietmar Schönherr's Talkshow.
5 Bemerkungen zum Dokumentarfilm
Cinematography
5 Bemerkungen zum Dokumentarfilm
Writer
5 Bemerkungen zum Dokumentarfilm
Director
Does the Pill Liberate?
Director of Photography
Was ich von Maria weiß
Cinematography
Documentary short by Gisela Tuchtenhagen.
Was ich von Maria weiß
Writer
Documentary short by Gisela Tuchtenhagen.
Was ich von Maria weiß
Director
Documentary short by Gisela Tuchtenhagen.
For Women, Chapter 1
Cinematography
Saleswomen in a supermarket discover that they are paid less than their male colleagues who do the same work. They decide to take action. The band Ton Steine Scherben sings along that “Everything changes if you change it / But you can't win as long as you're alone!” With a lay cast, the film fulfils the demand for solidarity that it preaches – “this film was made by saleswomen and housewives. They came up with the story and acted themselves. The film students helped them”
Wochenschau I: Requiem für eine Firma
Film by a student collective of the dffb.
Wochenschau I: Requiem für eine Firma
Editor
Film by a student collective of the dffb.
Wochenschau I: Requiem für eine Firma
Director
Film by a student collective of the dffb.
Für nichts und wieder nichts
Director