Vicky Miha

Ex-championship diver Victoras whiles away his days on the Greek coast, toiling away at a factory with only his dreams, medals and grandmother for company. When a phone call summons him to Germany, a simple road trip is the answer - that is until he crosses paths with the handsome Mathias - a free-spirited hitchhiker who tempts Victoras to take the road not taken.

Strangers find themselves trapped inside five elevators that break down. Tension rises. There is no communication; just angry men and women bringing the worst out of each other. This is hell in 4m².

Acquitted of a fatal on-duty incident but tormented by its harrowing personal repercussions, a police officer and impending father struggles to piece his uprooted life back together while sent on leave to a holiday resort in Greece.

Every July 31st, Mrs. Irene and the other remaining "fifteeners" return to the obsolete Monastery of the Accession, on the island of Therasia, the little know twin sister of cosmopolitan Santorini. For fifteen days they stay at the empty cells of the Monastery, preparing it for the celebration of the Accession and praying for eternal rest of their beloved ones. In between they recall past glories of the tradition of "Fifteen" while gazing at the touristic traffic across Santorini's volcanic bay. ACROSS HER BODY questions issues of faith, identity and gender by correlating three distinct bodies: the "unspoiled" body of the Virgin Mary, the deserted body of the once upon a time fertile Therasia and the aging female bodies of the fifteeners. It's an homage to an archetype of Greek motherhood that was common place in the post war society and is becoming obsolete in modern Greece.

Jay wakes up in Manila, yet he dreamed of Athens. He has a nightmare, during which he has a special quest: to save his two daughters from a dangerous surgery. In his attempt to rescue them, he roams around Athens’ cityscape, seeing things under a very different light.

Three tortured souls in an underground parking lot; a little girl arrives; a crime is committed and tension keeps rising in this claustrophobic psychological thriller.

A deserted, snow-covered landscape. An unknown place and time. An anonymous, timeless man slides into a devastated industrial building. He is enclosed by ruins and rust, witnesses of time. He advances among shadows and debris, following a ritual as precise as it is cryptic. Polyphony of materials. The past resonates at every step. Echoes of a presence. A solitary figure fluctuates on an abyss.

Oscuro animal tells the story of three women forced to flee their homes in a war torn region in Colombia. Each of their journeys, marked by terror, takes them on a trek from the deep jungle to the outskirts of Bogotá, where they will gather new strength to start a new life.

A true story of a 17 going on 18 year-old boy called Modris. He’s a guy who goes to school, has a girlfriend and some good friends. He has a small gambling addiction, which makes his relationship with his mother difficult. It’s also hard because the two of them live alone and the mother doesn’t miss a chance to remind him that his father is in prison and that Modris has a bad gene. Their relationship boils over when, in the middle of a Nordic winter, Modris pawns his mother’s electric heater in trying to squeeze a win from a slot machine. She betrays him to the police and Modris is sentenced to two years’ probation. That is when his adventures with the Latvian justice system begin and he sets a new goal: to find the father he has never met.

Three teenagers are confined to an isolated country estate that could very well be on another planet. The trio spend their days listening to endless homemade tapes that teach them a whole new vocabulary. Any word that comes from beyond their family abode is instantly assigned a new meaning. Hence 'the sea' refers to a large armchair and 'zombies' are little yellow flowers. Having invented a brother whom they claim to have ostracized for his disobedience, the uber-controlling parents terrorize their offspring into submission.