Donna Grey

Movies

The Christmas Miracle of Jonathan Toomey
Line Producer
When a broken hearted boy loses the treasured wooden nativity set that links him to his dead father, his worried mother persuades a lonely ill-tempered woodcarver to create a replacement, and to allow her son to watch him work on it.
Killing Me Softly
Line Producer
A woman grows suspicious of her controlling husband after she discovers secrets about the women in his past.
Birthday Girl
Line Producer
A shy bank clerk orders a Russian mail order bride, and finds his life turned upside down.
The Designated Mourner
Producer
Jack and Judy are husband and wife, and Howard is Judy's father. They live in some fictional undemocratic and repressive country, and tell us a story about their lives, mostly from Jack's point of view.
Emma
Associate Producer
Emma Woodhouse is a congenial young lady who delights in meddling in other people’s affairs. She is perpetually trying to unite men and women who are utterly wrong for each other. Despite her interest in romance, Emma is clueless about her own feelings, and her relationship with gentle Mr. Knightly.
Damage
Production Manager
The life of a respected British politician at the height of his career crumbles when he becomes obsessed with his son's lover.
Ten Years in an Open Necked Shirt
Production Assistant
A portrait of Salford-born poet, storyteller and comic, John Cooper-Clarke. His poems, a satirical blend of humour and social comment, are delivered at a fast pace, often with musical backing. His style, and that of his contemporary Linton Kwesi Johnson, have influenced a generation of younger poets involved in a revival of popular poetry in Britain.
The Gold Diggers
Producer
An avant-garde examination of the relationship between women and money in society. Mixing musical, silent melodrama, and philosophical treatise into a post-punk, heady brew.
Exchange and Divide
Producer
A marital breakdown is brought to life through a mixture of dramatisation, monologue, montage and animation. Through the perspectives of the husband, the lawyer, the couple’s parents and their “home help”, a picture emerges of the transactional nature and economic fall-out of marriage, along with issues of class and gender politics affecting single mothers.