Szilvia Ritter

Movies

Tabló
Production Design
Karcsi, a Roma policeman, lives with Eva, a Swede. One day he is called to the scene of the murder of a wealthy trafficker named Schulter. He begins to investigate the crime, interrogate neighbours and suspects, and untangle a complex situation - one that he, himself, complicates even further. For he is a gypsy, who despite being adopted and raised by "regular" Hungarians, has his nose rubbed in his minority status every day. The film, which is based on the novel by Ákos Kertész, is a shrewd genre work full of dusky humour and surreal situations. Tabló follows a vivid succession of strange images that eventually lead to the emergence of the central story about a charismatic police officer on a tireless quest for the truth, though he must fight against virtually everyone and is just as fallible as the next person. Tabló makes a statement on the issue of race and racism - or, indeed, relations between any minority and majority.
The Boy in the Striped Pyjamas
Art Direction
When his family moves from their home in Berlin to a strange new house in Poland, young Bruno befriends Shmuel, a boy who lives on the other side of the fence where everyone seems to be wearing striped pajamas. Unaware of Shmuel's fate as a Jewish prisoner or the role his own Nazi father plays in his imprisonment, Bruno embarks on a dangerous journey inside the camp's walls.
White Palms
Art Direction
Having suffered as a boy under a brutal Communist-era coach, champion Hungarian gymnast Miklos moves to Canada years later in search of a new start - only to find himself unwittingly perpetuating the very same cycle of abuse among his own pupils.