Mark Trottenberg

Pearl Randall, a 66-year-old widow, announces that she is planning to remarry, but her three grown children express conflicting emotions. Daughter Terri captures on tape the family's attempts to come to grips with Pearl's new romance. Oscar-nominated documentary short from 1997

The film follows Groover from her studio in New York and lets us observe her as she arranges objects for her still life and shows us how she develops and works on her photographs. We also see her in her apartment at the Bowery where she lived with her husband, the painter and art critic Bruce Bois.

The Sensual Nature of Sound portrays four New York based composers and performers in terms of their musical lives and artistic passion. Though Laurie Anderson, Tania Leon, Meredith Monk and Pauline Oliveros are all pioneers in American music, each composer pursues a distinct direction of her own. Their rehearsals and performances show a common pursuit of lyrical storytelling through which a new set of contemporary narratives has been forged. Through body, sound, movement and composition, these women have forged their own path through the wild world of modern music.

We enter the life of Horst, and see the world of fashion photography evolve from the 1930s to the 1980s through his work and stories.

Tadao Ando, a self-taught architect, proposes an international architecture that he believes can only be conceived by someone Japanese. His architecture mixes Piranesian drama with contemplative spaces in urban complexes, residences and chapels. This film presents the formative years of his impressive career before he embarked on projects in Europe and the United States.

Made in 1980, this film explores the contemporary dance scene through the work of seven New York-based choreographers. They discuss the nature of dance and the evolution of their own work. Filmed at rehearsals, performances, and during interviews, the film is a unique primary source. The artistic roots of these seven artists can be found in Martha Graham's concern with modern life as a subject for dance and in Merce Cunningham's emphasis on the nature of movement. In the 1960s, the interaction of art forms generated choreographic innovations. Especially influential was John Cage, whose radical ideas served as a point of departure for much of the new choreography. Each of the choreographers in Making Dances draws inspiration from the Graham/Cunningham tradition, yet each makes a highly distinctive statement. Structure, movement in non-fictive time and space, and the nature of movement itself are recurring themes.