Lars Kraume

Berlin at the end of the 19th Century. Alexander Hoffmann is an ambitious PhD student of Ethnology. When a delegation of the Herero and Nama tribes travels to Berlin during a ‘Colonial Exhibition’, he takes a special interest in their young female translator Kezia Kambazembi as subject for his studies.

Berlin at the end of the 19th Century. Alexander Hoffmann is an ambitious PhD student of Ethnology. When a delegation of the Herero and Nama tribes travels to Berlin during a ‘Colonial Exhibition’, he takes a special interest in their young female translator Kezia Kambazembi as subject for his studies.

The 78-year-old former architect Richard Gärtner (Matthias Habich) wants to put an end to his life. However, this should not be done abroad, but quite legally with the help of his family doctor. For Dr. Brandt (Anna Maria Mühe), out of personal conviction, it is out of the question to get her elderly but healthy patient a fatal preparation.

The 78-year-old former architect Richard Gärtner (Matthias Habich) wants to put an end to his life. However, this should not be done abroad, but quite legally with the help of his family doctor. For Dr. Brandt (Anna Maria Mühe), out of personal conviction, it is out of the question to get her elderly but healthy patient a fatal preparation.

17-year-old Cyril is funny, smart and an all-round good guy. Just his somewhat overlarge nose spoils the picture. On a school trip to Berlin with Roxy, a stunning new classmate, Cyril is not the only one taken with her. Benno, the class Casanova has his eye on the girl too and makes a nasty wager. Roxy is more interested in the introverted Rick, who is not only shy but also slow. Cyril hastens with his spoken word skills to Rick's aid, and falls head over heels in love with Roxy himself. So whose brave heart will win the fair lady?

Stalinstadt, East Germany, 1956. While the Hungarian uprising against Soviets is taking place, teenage members of a classroom of the local school perform a seemingly harmless act that causes unexpected consequences.

Stalinstadt, East Germany, 1956. While the Hungarian uprising against Soviets is taking place, teenage members of a classroom of the local school perform a seemingly harmless act that causes unexpected consequences.

Full of anticipation, the young and ambitious Commissioner Carsten Lanner (Florian Lukas) is moving from Berlin Cloppenburg in Lower Saxony for a further education. However, he did not expect the outspoken chutzpah of the Berliners and, above all, the rude nature of his colleagues, who in no way received him with open arms. And so he slips more accidentally than wanted shortly after his arrival in Berlin in his first case.

A hijacker threatens to bring down a passenger plane to a crowded football stadium. Fighter pilot Lars Koch decides to shoot down the machine. The court of Berlin should decide whether Lars Koch is a hero or a murderer. The viewers become jurors, and their decision determines the outcome of the film.

A hijacker threatens to bring down a passenger plane to a crowded football stadium. Fighter pilot Lars Koch decides to shoot down the machine. The court of Berlin should decide whether Lars Koch is a hero or a murderer. The viewers become jurors, and their decision determines the outcome of the film.

On the 70th birthday of famous piano virtuoso Hannes Westhoff, a celebration is to take place at the patriarch's estate. For this occasion, his second wife Anne not only invited Westhoff's three sons Max, Fredrik and Gregor, but also their mother, Westhoff's ex-wife Renate. While Anne tries to maintain a friendly atmosphere, old conflicts resurface among the family. With tensions already high, things take a turn for the dramatic when son Max reveals shocking news.

It is the late 1950s. Flourishing under the economic miracle, Germany grows increasingly apathetic about confronting the horrors of its recent past. Nevertheless, Fritz Bauer doggedly devotes his energies to bringing the Third Reich to justice. One day Bauer receives a letter from Argentina, written by a man who is certain that his daughter is dating the son of Adolph Eichmann. Excited by the promising lead, and mistrustful of a corrupt judiciary system where Nazis still lurk, Bauer journeys to Jerusalem to seek alliance with Mossad, the Israeli secret service. To do so is treason — yet committing treason is the only way Bauer can serve his country.

It is the late 1950s. Flourishing under the economic miracle, Germany grows increasingly apathetic about confronting the horrors of its recent past. Nevertheless, Fritz Bauer doggedly devotes his energies to bringing the Third Reich to justice. One day Bauer receives a letter from Argentina, written by a man who is certain that his daughter is dating the son of Adolph Eichmann. Excited by the promising lead, and mistrustful of a corrupt judiciary system where Nazis still lurk, Bauer journeys to Jerusalem to seek alliance with Mossad, the Israeli secret service. To do so is treason — yet committing treason is the only way Bauer can serve his country.

How should you spend your time if your days are numbered? This is the question facing Linda, a young woman suffering from a congenital heart defect. Contrary to her doctors’ expectations she has managed to survive to celebrate her thirtieth birthday, but with an operation looming, Linda nonetheless feels a deep need to spend what might be her last weekend with her two sisters: Katharina who is older, and Clara who is younger than her. Linda must use their journey, which begins at their family’s weekend house and ends in Paris, to examine the ways in which her family has been fundamentally affected by her illness; she must also consider how much she can expect from herself and her sisters – faced as they are with the possibility of her death.

How should you spend your time if your days are numbered? This is the question facing Linda, a young woman suffering from a congenital heart defect. Contrary to her doctors’ expectations she has managed to survive to celebrate her thirtieth birthday, but with an operation looming, Linda nonetheless feels a deep need to spend what might be her last weekend with her two sisters: Katharina who is older, and Clara who is younger than her. Linda must use their journey, which begins at their family’s weekend house and ends in Paris, to examine the ways in which her family has been fundamentally affected by her illness; she must also consider how much she can expect from herself and her sisters – faced as they are with the possibility of her death.

Welcome to 2020: The European Union has collapsed following the fourth Gulf War and massive barricades keep illegal immigrants out of cities that are barely functioning. In the middle of this highly volatile environment is the family of Walter Kuper, an energy conglomerate executive. Walter’s daughter, Cecilia, has joined the Black Storm terrorist group. Her sister Laura must choose between motherhood and the man she loves; their brother Philip has been called into fight for Germany in a hopeless war to secure the last remaining oil fields. Starring leading actors Daniel Brühl, Johanna Wokalek and Jürgen Vogel, "The Days to Come" asks provocative questions about the current state of things as it depicts personal and political realities in a scarily believable near–future.

Welcome to 2020: The European Union has collapsed following the fourth Gulf War and massive barricades keep illegal immigrants out of cities that are barely functioning. In the middle of this highly volatile environment is the family of Walter Kuper, an energy conglomerate executive. Walter’s daughter, Cecilia, has joined the Black Storm terrorist group. Her sister Laura must choose between motherhood and the man she loves; their brother Philip has been called into fight for Germany in a hopeless war to secure the last remaining oil fields. Starring leading actors Daniel Brühl, Johanna Wokalek and Jürgen Vogel, "The Days to Come" asks provocative questions about the current state of things as it depicts personal and political realities in a scarily believable near–future.

Welcome to 2020: The European Union has collapsed following the fourth Gulf War and massive barricades keep illegal immigrants out of cities that are barely functioning. In the middle of this highly volatile environment is the family of Walter Kuper, an energy conglomerate executive. Walter’s daughter, Cecilia, has joined the Black Storm terrorist group. Her sister Laura must choose between motherhood and the man she loves; their brother Philip has been called into fight for Germany in a hopeless war to secure the last remaining oil fields. Starring leading actors Daniel Brühl, Johanna Wokalek and Jürgen Vogel, "The Days to Come" asks provocative questions about the current state of things as it depicts personal and political realities in a scarily believable near–future.

As Tobias, a young director, supposes that his girl-friend Ellen had an affair with his brother Markus, front man of "Hansen", one year ago, he decides to shoot a documentary about the band's next tour. When Ellen joins the project, everybody's emotions boil over, although they are observed all the time.

As Tobias, a young director, supposes that his girl-friend Ellen had an affair with his brother Markus, front man of "Hansen", one year ago, he decides to shoot a documentary about the band's next tour. When Ellen joins the project, everybody's emotions boil over, although they are observed all the time.

A dog who was named after the Beatles album, inherits his master's fortune. His owner's two children, however, devise a plan to make off with his wealth.

Film directed by Lars Kraume

Edward Kaminsky, an aging ad man, wants a golden parachute from his agency; he must first land the Opel auto contract. Rosa, a youth with wealthy parents, wants to establish herself as an artist. The clumsy and enthusiastic Viktor, not quite honest, wants work. When he wanders into Kaminsky's meeting with Opel and says something about irony, the Opel director wants him in on the campaign. Then he steals an idea from Rosa that the Opel director loves. Before Rosa discovers he's expropriated her idea, Rosa and Viktor become lovers. Father-son feelings materialize between Kaminsky and Viktor. Can the impulsive Viktor hold it together before Rosa learns the truth and flies away?

Edward Kaminsky, an aging ad man, wants a golden parachute from his agency; he must first land the Opel auto contract. Rosa, a youth with wealthy parents, wants to establish herself as an artist. The clumsy and enthusiastic Viktor, not quite honest, wants work. When he wanders into Kaminsky's meeting with Opel and says something about irony, the Opel director wants him in on the campaign. Then he steals an idea from Rosa that the Opel director loves. Before Rosa discovers he's expropriated her idea, Rosa and Viktor become lovers. Father-son feelings materialize between Kaminsky and Viktor. Can the impulsive Viktor hold it together before Rosa learns the truth and flies away?