Ary Barroso

Ary Barroso was one of the greatest composers of Brazilian music with his successes for the whole planet. Know its history, reconstructed through Ary's own audio files, interspersed with reports from friends and family.

When a doctor decides to carry out an AIDS prevention program inside Latin America’s largest prison: the Casa de Detenção de São Paulo - Carandiru, he discovers the victim of one of the darkest days in Brazilian History when the State of São Paulo’s Military Police, with the excuse for law enforcement, shot to death 111 people. Based on real facts and on the book written by Dráuzio Varella.

Low-level bureaucrat Sam Lowry escapes the monotony of his day-to-day life through a recurring daydream of himself as a virtuous hero saving a beautiful damsel. Investigating a case that led to the wrongful arrest and eventual death of an innocent man instead of wanted terrorist Harry Tuttle, he meets the woman from his daydream, and in trying to help her gets caught in a web of mistaken identities, mindless bureaucracy and lies.

João Gilberto receives Caetano Veloso, Gilberto Gil and Maria Bethânia during the recording of his album Brasil.

The project of urbanization of a shantytown is endangered by lack of money. To get the necessary sum, three friars start to sing in plain clothes, incognito, also recording records and doing shows in nightclubs.

Meus Amores no Rio is a thin romantic comedy about a young woman (Suzana Freyre) who wins a trip to Rio de Janeiro on a television quiz show. Being both young and attractive and excited about the city, she manages to enchant three different men. The first man to fall for her is a pilot, and then there is the journalist, and then a womanizer.... Each encounter reveals more of the city and its impressive vistas, a fourth important protagonist in this film.

Tourist gets bonked on the head, suffers an amnesiac fugue, wanders away from her husband and children, becomes an evil prostitute-y thief-y saloon gal.

A man dies and in heaven receives the mission of helping his former boss love life.

For Donald's birthday he receives a box with three gifts inside. The gifts, a movie projector, a pop-up book, and a pinata, each take Donald on wild adventures through Mexico and South America.

Brazil is perhaps the best of the handful of US films made by Brazilian singing sensation Tito Guizar. In typical screwball-comedy fashion, the plot is set in motion by authoress Nicky Henderson, who has hit the best-seller charts with her latest tome, Why Marry a Latin? While researching her next book in Rio De Janeiro, she finds out "why" when she meets handsome songwriter Miguel Soares. Upon learning about Nicky's book, Miguel decides to teach her a few lessons in the affairs of the heart. Edward Everett Horton is also on hand, twittering his way through the role of a well-meaning buttinsky. Thanks to the "Good Neighbor" policy of the 1940s, South American musicals were a glut on the market, but Brazil was good enough on its own merits to pay its way at the box office.

Live-action segments show members of the Disney staff touring South America and recording their impressions in sketches. These segue into four animated sections: "Lake Titicaca" depicts tourist Donald Duck's troubles with a stubborn llama; "Pedro" tells of a little mail plane's adventures flying over the treacherous Andes; "El Gaucho Goofy" transplants an American cowboy into the Argentine pampas; and in "Aquarela do Brasil," Jose Carioca shows Donald the sights and sounds of Rio de Janiero.

A man is looking for a radio singer named "Dulcineia." For this, he goes through the biggest hassles and problems. The plot, in fact, is an excuse for the exhibition of the musical numbers of the greatest Brazilian Radio artists.