Gejza Maráky

After five years of hard work in America Juraj Hordubal (Anatoliy Kuznetsov) returns back home. He is looking forward to his wife Polana (Libuse Geprtová) and his little daughter Hafie. The family and the village welcome him with hesitation. Everybody believed that Juraj died in America because Polana stopped receiving money from him already two years ago. Polana's farm was prospering first of all thanks to the young stable boy Stepán (Sándor Oszter). Men in the pub first indicate and then say to Juraj directly that Polana has been unfaithful to him with Stepán.

The second, and unfortunately. the last feature film made by a unique talent among Slovak filmmakers, Elo Havetta, is one of the most originial pictures of Slovak cinematography. The film was conceived as a paraphrase of Vincent Šikula's prose, the tragic episodes of which screenwriter Lubor Dohnal and Havetta composed into a dramatic story. The main characters are veterans coming home from the First World War. And while they feel a need to find A home and settle down, they are also driven by a passion for a vagrant's free life.

A story of a man threatened by a fatal illness evaluating his life (the number 322 in the film title stands for the diagnosis of one kind of cancer). He understands his illness as a form of punishment for his cruel deeds in the 1950s. In the face of reality and his efforts to cleanse himself he hits a barrier of indifference, lack of interest, and individual and collective selfishness. He has to find his own reconciliation with his illness and his past and present life.

The film is a historic parable about the topicality of revolution. 1514. The peasants' uprising is over, Dózsa has been arrested. Werbőczy tries to get the imprisoned peasant leader deny the revolution and offers him the lives of his people in exchange.

A man changes his behavior according to the term of the year.

A film about the dramatic lives ofthe people of the village of Ráztoka during WW I. Women are left without husbands, families fall apart, finding themselves on the verge of poverty. Eva, the main heroine, is going through difficulties after her husband was drafted to the army. Her defilement and her tragic death cause a rebellion by which the village inhabitants finally stand up against their unbearable situation.

Two female clerks using up their savings to enjoy a few days of carefree life, two plumbers looking for an erotic adventure, a building contractor determined to drink away all wages of his workers and a former major who became an alcoholic due to political persecution — these people meet in a ski resort bar somewhere in the High Tatras. During one night they gradually reveal their unfulfilled dreams, illusions and disappointments of ”average" people of those times.

In this bitingly satirical film Peter Slovan, a continuous source of trouble for the film functionaries of the socialist Slovakia, tackles an evergreen topic – the corruptive effects of power. Barnabáš Kos, a triangle player at a symphonic orchestra, is suddenly promoted to serve as the head of the said institution, even though both he and his superiors deem him completely unfit for the task. Encouraged in equal parts by this unexpected recognition and the servile praise of his colleagues, Kos’s modesty starts to gradually vanish. The erstwhile bashful and aloof percussionist quickly becomes aware of the advantages of his new office, and begins to realise his increasingly ludicrous artistic ambitions. Ultimately, the submissive marionette turns into a source of public humiliation, and his astonishing career finds an abrupt end. Orchestra serves here as a microcosm that grotesquely reflects the absurd and tragicomic mechanisms of the paranoid apparatus of power.

A movie built up of three stories about life in a small Slovak town. The Prosecutor: the district attorney is a jazz orchestra soloist at the same time and that is much disliked by the local provincial society. The Defender: is about a young doctor's relation to his patient, who is open about his reactionary opinions. The Judge: it is only after long years that the old judge realizes that his own marriage is in jeopardy.

An unusual children's film set during World War II in Czechoslovakia, this compelling drama unfolds five different segments that present the war through the eyes of three youngsters. The three have a series of adventures which include saving a soldier from being captured by the Germans, helping out the resistance fighters, and meeting up with a young Russian woman trained in guerrilla warfare. As they learn more about life and danger, various circumstances constantly recall the reality of war itself. The title comes from a wounded pigeon under the care of one of the youngsters.

A comedy about a lost inheritance, love and a red umbrella, which, according to a local legend, belonged to St. Peter himself.

Episodic film consisting of three satirical shorts ('Smutný káder', 'Typický prípad' and 'Vel'korysá kampaň') comically exposing the shortcomings of society. In the interval between each short, a committee recognising themselves in the characters on screen, voice their approval or disapproval of each film.

A comedy film taking an ironic view of the bourgeois period prior to the First World War.