Director
The year 2020 was one for the history books. A global pandemic. A national social movement for racial equity. Wildfires, hurricanes, and other natural disasters. “Above & Beyond” is a feature-length documentary about incredible people that rose to the challenge of a truly unprecedented year. From Walmart associates & executive leaders, community members and beyond, this film goes out onto the front lines and tells the story of a group of ordinary men and women that proved to be extraordinary heroes when we needed them most.
Director
An exhilarating journey of artistic discovery... 100,000 miles, 1,000 destinations in the search for 100 under-recognized American artists for one unforgettable exhibition. The curatorial team of Crystal Bridges Museum of American Art in Bentonville, Arkansas, crisscrossed the nation to find extraordinary contemporary art happening in unexpected places: the woods of North Carolina, the deserts of Nevada, the backstreets of Pittsburgh, the foothills of Arkansas, the riverbanks of New Orleans. The art and artists found by the Crystal Bridges team led to a groundbreaking exhibition of 227 works of contemporary art, many of which might otherwise have never been seen.
Editor
At the Covenant House, located on the outskirts of the French Quarter in New Orleans, Louisiana, the doors never close, and there is always room for one more. On any given day, a constant stream of young people carrying everything they own in plastic garbage bags fills the courtyard. The prospective residents are just teenagers, but have already been labeled drug addicts, schizophrenics, criminals and outcasts. As one staff member puts it, “the most damaged population of youth that exists in society today”. Filming over the course of a full year, brothers Brent and Craig Renaud tell the raw and emotional stories of the incredible kids who seek shelter at the Covenant House, and the staff struggling to work miracles everyday on their behalf.
Director of Photography
At the Covenant House, located on the outskirts of the French Quarter in New Orleans, Louisiana, the doors never close, and there is always room for one more. On any given day, a constant stream of young people carrying everything they own in plastic garbage bags fills the courtyard. The prospective residents are just teenagers, but have already been labeled drug addicts, schizophrenics, criminals and outcasts. As one staff member puts it, “the most damaged population of youth that exists in society today”. Filming over the course of a full year, brothers Brent and Craig Renaud tell the raw and emotional stories of the incredible kids who seek shelter at the Covenant House, and the staff struggling to work miracles everyday on their behalf.
Producer
At the Covenant House, located on the outskirts of the French Quarter in New Orleans, Louisiana, the doors never close, and there is always room for one more. On any given day, a constant stream of young people carrying everything they own in plastic garbage bags fills the courtyard. The prospective residents are just teenagers, but have already been labeled drug addicts, schizophrenics, criminals and outcasts. As one staff member puts it, “the most damaged population of youth that exists in society today”. Filming over the course of a full year, brothers Brent and Craig Renaud tell the raw and emotional stories of the incredible kids who seek shelter at the Covenant House, and the staff struggling to work miracles everyday on their behalf.
Producer
As police and DEA agents battle sophisticated cartels, rural, economically-disadvantaged users and dealers–whose addiction to ICE and lack of job opportunities have landed them in an endless cycle of poverty and incarceration–are caught in the middle.
Editor
As police and DEA agents battle sophisticated cartels, rural, economically-disadvantaged users and dealers–whose addiction to ICE and lack of job opportunities have landed them in an endless cycle of poverty and incarceration–are caught in the middle.
Director of Photography
As police and DEA agents battle sophisticated cartels, rural, economically-disadvantaged users and dealers–whose addiction to ICE and lack of job opportunities have landed them in an endless cycle of poverty and incarceration–are caught in the middle.
Director
As police and DEA agents battle sophisticated cartels, rural, economically-disadvantaged users and dealers–whose addiction to ICE and lack of job opportunities have landed them in an endless cycle of poverty and incarceration–are caught in the middle.
Director of Photography
Auto racing is an obsession in Anderson, Indiana. Even with local auto factories closing down and jobs being lost, the town's residents continue to flock to the local speedway every Friday night--and its drivers continue to pour their dwindling resources into their Thundercars. Emmy(R)-winning filmmaker Jon Alpert presents this look at this passion for racing in rust-belt America. Since the closing of a GM plant and the loss of 33,000 jobs, the once-thriving town of Anderson now stands witness to empty factories, shuttered stores and abandoned home--but also to packed houses at Anderson Speedway where people put their troubles on hold to watch the cacophony of screeching tires and crashing metal as drivers vie for Thundercar supremacy.
Editor
It has been called "the saddest acre in America." It is also one of the most sacred. Section 60 in Arlington National Cemetery is the final resting place for young men and women who died fighting in Iraq and Afghanistan. This emotional documentary filmed entirely in Section 60 provides intimate glimpses of family and friends who have come to honor their loved ones.
Director
Two heroin-addicted couples lead hard and stressful lives on the streets of New York.
