Yoshihisa Toda

While shooting the horror film Ghost Master, Akira Kurosawa, an untalented assistant director, is struggling. Continuing with the film sends him into a rage that awakens an evil spirt. Now possessed, Akira wreaks revenge on those who have been cruel to him on set, killing the cast and crew one by one.

Little Towa lives with his parents Satsuki and Yuichi in a coastal town on Nagashima. Yuichi is a fisherman, Satsuki runs a restaurant. What Towa doesn’t know is that he is adopted. As a baby, he was abandoned in an internet café, completely emaciated. While his new parents are secretly fighting for custody of him and want to protect him from his past, the family’s happiness begins to falter. Satsuki and Yuichi aren’t the only ones who are worried about Towa’s future.

One day in Spring, a college student Sayaka visits Shonan with Yui. Sayaka is secretly attracted to Yui, but Yui's best friend Momoko was waiting for them. The three girls started to stay at a holiday villa by the beach. Sayaka's anger and disdain towards Yui intensify as she finds it hard to keep up the pace with Yui and Momoko and there was an uncomfortable feeling among them. At the same time, there was Akihiro who was invited to the same villa to play at a party. While the girls enjoy chatting about Akihiro, he became interested in Sayaka and tries to attract her. Meanwhile, a Korean international student Min Jun cajoles Yona, who came to visit colleges for her study abroad, to come to the villa with him.

Let's go back and forth between the virtual and real images of a girl named Tina Tamashiro and dive inside to reach someone who is deeply connected with themselves. Resonates as a teenage requiem.

KEN SAN pieces together the puzzle of the life and legacy of Japan's mythical acting icon, Ken Takakura. Collaborators, friends and family tell intimate stories of Ken's journey: how one man of quiet dignity became a cultural barrier-breaking film star.

Launched in 2011 as a sister group to girl band behemoth AKB48, the Osaka-based NMB48 has become a musical force itself. With a string of No.1 hit singles and albums, not to mention sell-out performances, NMB48 continues Japan’s pop-music phenomena. Director Funahashi Atsushi, whose documentary work has previously chronicled such harrowing events as the Fukushima nuclear meltdown, pulls back the curtain on the life and struggles of the band members and the workings of the idol-making industry.

'We have to kill him', the wife and her lover thought. When three childhood friends reunite, it doesn't take long before two of them feel the woman's husband is in their way. They push him into a lake, but the boat capsizes and all three are thrown into the water. The lovers reach the shore, but the husband is nowhere. Has he drowned? They decide to wait at a lakeside hotel for his body to be found.

Mari is exhausted by life in the city and opens up a shop selling snow cones in the small town of Nishiizu where she grew up. The simple flavors of her cold desserts soothe the emotional wounds of her customers and Mari comes to terms with herself by spending time with a young woman with a scarred face.

Minori Oyamada, a put-upon editor at a travel-guide publishing company, is asked by an old friend to plan her forthcoming wedding party in Hawaii. After persuading her boss that it will be a work trip, Minori departs for Hawaii with the intention to find and marry a rich man. But when Minori arrives, she encounters three different men who complicate her original goal...

From the late 1950s through the '70s, more than 90,000 of the ethnic Koreans in Japan emigrated to North Korea, a country that promised them affluence, justice, and an end to discrimination. KAZOKU NO KUNI tells the story of one of their number, who returns for just a short period. For the first time in 25 years, Sonho is reunited with his family in Tokyo after being allowed to undergo an operation there. Sonho’s younger sister Rie is at the centre of the film, and is not hard to recognise as the director’s alter-ego. In her documentaries DEAR PYONGYANG and SONA, THE OTHER MYSELF, Yang Yonghi told the story of her own life, and how, at age six, she experienced the departure of her three older brothers, who left their family for Pyongyang.

During the Second Sino-Japanese War, in 1940, Lieutenant Kurokawa returns home as a honored and decorated soldier but deprived of his arms and legs lost in battle. All hopes, from the villagers and women to close family members, turn to Shigeko, the Lieutenant's wife. She must honor the Emperor and the country in setting an example for all by fulfilling her duty and taking care of the 'god soldier'. Kurokawa prior to leaving to fight in the war regularly beat and berated his wife for her barrenness and inability to bring him a son. When he returns home as an amputee with no hearing and no speech, his wife dutifully attends to him, even though he shows little appreciation for her dedicated care. His main concerns are getting fed and getting sex. Even in his own degraded condition, he manages to berate his wife. Eventually, though, his own memories infiltrate and he is haunted by his horrible, sadistic deeds, performed while in the duty of the Japanese military.

The film is told in three acts, beginning with a historical background of Japan's student movement of the 1960s and early 1970s, mostly using archive footage and a narrator. The second act follows the formation of the group to their mountain training camps in the southern Japanese Alps. It emphasizes the dogmatic (and eventually hypocritical) bullying of the group by Mori and Nagata, with 12 members being killed for infractions as small as improperly cleaning a gun, wearing make-up, and kissing. The third act shows the splitting up of the group after two members run off. It follows one group of five members to Karuizawa and a hostage-taking and police standoff known as the Asama-Sansō incident.

Yu confronts a number of events and encounters: Reunion with a high school classmates, a close friend who suffers from serious illness and a former lover, among others.By feeling the severity of the flow of time, Yu will know one truth of "Life".