Yelena Arzhanik

The crew of the nuclear submarine USS Ulysses rescues supposed victims of a boat disaster, but the victims turn out to be terrorists intent on capturing nuclear weapons aboard the sub. Only a former SEAL, now a submarine consultant, can save the crew by sliding aboard while the sub is underwater. The term "crash dive" refers to the sudden dropping of a sub to escape detection, an act that a nuclear sub is never supposed to make. Of course, it comes into play in this film.

Sumptuous filming of the journey of a shipwrecked Japanese expedition from the Pacific Ocean across Siberia to the court of Catherine the Great of Russia. A Russo-Japanese co-production of a unique event in history which was the hit of Cannes and other film festivals but did not receive wide distribution despite its huge scope, high production values, and very human story of culture clash.

The journalist becomes a victim of rape. To take revenge on the rapists, she makes a deal with the criminals. But things are beginning to unfold unpredictably...

A group of young successful women is getting robbed in the house of one of them.

Karen Shakhnazarov’s surreal satire of Communism follows an Everyman engineer named Varakin who arrives in a remote city where nothing quite makes sense, but everyone acts as if it does. He’s quickly drawn into the investigation of the suicide (or possibly murder?) of a local restaurant chef, Nikolaev – who may (or may not) be Varakin’s missing father. The more complex and absurdist the mystery becomes, the more poignant and plaintive Varakin’s predicament – “I have to get back to Moscow,” he pleads to no avail. Along the way we’re treated to a bizarre and wonderful sideshow of non sequiturs out of a Wes Anderson film, including an underground museum filled with a thousand years of real and imagined Russian history (“Here’s the pistol with which Urusov shot the False Dimitry II.”) Frozen in time, frozen far beneath the surface, the waxwork figures are strangely beautiful and forlorn, like Shakhnazarov’s marvelous and enigmatic satire of Soviet bureaucracy.

Forty-year-old researcher Pavel is still single. And not because he likes to be free and unmarried, but because he is very indecisive - he does not know how to meet girls. Pavel’s parents are sounding the alarm - they really want to give their son "in good hands" and see their grandchildren. But he doesn’t like those girls whom Pavel’s mother is wooing. And then one day a master takes over - a cheerful, battered and excessively sociable brother of Pavel — Gennady. He has in his arsenal one effective way to get acquainted with any girl he likes, to interest her in his persona. Gennady is getting into a rage so much that he almost gets married, forgetting about the watchful wife, who always stands guard over their long marriage...